Mr. Tate had a high idea of a thing which he spoke of as "style." In
elucidation of this theme he suggested perusal of essays and treatises
by DeQuincey, Walter Pater, and Professor Raleigh, He felt also that the
"art of fiction" should be mastered by his protégé. So Keyes pitched
into examinations of this recondite subject by Sir Walter Besant, Marion
Crawford, R. L. Stevenson, and Anthony Trollope. Keyes realized that he
had _not_ realized before what a lot there was _to_ writing. Mr. Tate
purchased out of his slender means as a present, "Success in
Literature," by G. H. Lewes. He unearthed a rich collection in titles of
books the consumption of which literature would be invaluable to one in
training for the literary profession. An admirable bibliography, this
list, of the genre which was Keyes's specialty:--"The Art of Short
Story Writing," "Practical Short Story Writing," "The Art of the Short
Story," "The Short Story," "Book of the Short Story," "How to Write a
Short Story," "Writing of the Short Story," "Short Story Writing,"
"Philosophy of the Short Story," "The Story-Teller's Art," "The Short
Story in English," "Selections from the World's Greatest Short Stories,"
"American Short Stories," "Great English Short-Story Writers." In the
reading room of the public library Keyes followed a series of articles
in "Book Talk" on the "Craftsmanship of Writing." He advanced in
literary culture, under Mr. Tate's zealous lead, to consideration of
"the novel," its history and development. And, too, to the drama, its
law and technique. His head was filled with the theory of dénouements,
"moments," rising actions, climaxes, suspended actions, and
catastrophes. At times he had an uneasy feeling that all these things
did not much help him to think up any new stories of his own. But Mr.
Tate said "that" would "come."
* * * * *
And wealth and fame were even now at hand. The promoters of the great
prize contest advertising dodge had not been at fault in business
acumen; the winning story returned ample evidence of its popular appeal.
It was akin to the minds of the "peepul." _The Favorite Magazine_ was
sold during August by enterprising newsboys _on trolley cars_. That
great public whose literature is exclusively contemporaneous,--whose
world of letters is the current _Saturday Mail-Coach_, the _All-people's
Magazine_, the _Purple Book_, the _Nothing-But-Stories_, the _Modiste,
The Swift Set, Jones's--the Magazine that Entertains, Brisk Stories,
Popularity_, and the _Tip-Top_,--discussed the big features on front
porches. Keyes's story even attracted the interest of those _who seldom
read anything_. A number of letters from persons of that impulsive class
which communicates its inward feelings to authors personally unknown
were forwarded to Keyes from his publishers. A young lady resident in
St. Joe, Michigan, wrote to say that she thought the scene where the
boat upsets was the "_grandest thing_ ever written."
Public-domain text, read in full here on John Shaqi.
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