Day scorned the packed, parading trolley cars, and swung vigorously up
the street. Far up the thoroughfare an enormous electric sign (in its
size suggesting that it had been somehow brought back by Gulliver from
the country of Brobdingnag and mounted here upon a sturdy little
building for awful exhibition) its gigantic illuminated letters spelling
"Arthur Pendennis Ten Cent Cigar," lighted the mist for blocks
approaching it, and marked the north boundary of the dominion for
revelry. The sidewalks were much quieter now. One of those birds of the
urban night deftly wheeled his vehicle alongside our pedestrian and
pulled his clattering quadruped violently back upon its haunches until
it slid along the slippery pavement. "Cab, sir? Cab?" Then he whisked
away again. It was not long before Richard had entered into the district
of slumbering residences, and not much longer until he ran up the steps
before his own door, or, speaking more literally, his own landlady's
door. It is not much to mount three pairs of stairs in the brave days
when one is twenty-one, and Day was in the little room, where, rich only
in the glory of his rising sun, in his youth, he weathered it so long.
This apartment was the width of the dark hall, which was face to face
with it, about fourteen feet long, and furnished in tune, so to speak.
An uncommonly small, old-fashioned, wooden bedstead, a bantam-size
"dresser," a washstand its shorter brother, a small table or "stand,"
and two half-grown chairs, mature before their season, were the
principal articles of furniture. The room was heated by an oil stove
that had passed the age of vanity in one's appearance; it was lighted at
night by a gas-jet, without a globe; by day through a single window,
which occupied between a half and a third of the wall space of the front
end of the room, and which balanced in decorative effect with the door
at the other end. A row of books was arranged along the dresser top
against the lower part of the small looking-glass. Two pictures (the
property of Day), one of Lincoln and one of Roosevelt squinting in the
sunlight (this is a land where every young man may hope to be
President), were tacked on the walls. In company with these were a
combination calendar and fire-insurance advertisement and a card
displaying a lithographed upper part and idealistic legs of a blithe
young woman wearing, stuck on, a short, bright skirt made of sandpaper
and streaked with match-scratches, who in fancy letters was ingeniously
labelled "A Striking Girl." These bits of applied art were properties of
Mrs. Knoll's establishment.
Public-domain text, read in full here on John Shaqi.
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