As I was straightening up my desk an idea came to me about jobs. Seems
to me that when I have a job I'm all the while worrying about how to
break out of it. I think: Well, I'm tied up here until the first of the
year; but I'll sure shake it after that; too cramped and limited. And
then when I am out of a job I immediately begin to worry about how to
get another one. That's Life, I guess.
I turned uptown and floated along with the current of the Avenue throng.
It was a glittering April throng. The newest stockings were out. I had
not seen them before. The newest stockings (you will have noted) are so
very, very thin and the pores (so to say) in them are so large that they
give the ladies who wear them the agreeable effect of being bare-legged.
At Thirty-fourth Street the traffic policeman on post at our side of
this corner, by an outward gesture of his arms pressed back the
sidewalk stream for a couple of moments of cross-town vehicular traffic.
He stood within a few inches of the front row of the largely feminine
crush. Whenever an impatient pedestrian broke through the line he had
formed and attempted to dart across the street he emitted a peculiar
little whistle followed by the admonishment, "Hold on, lady!" or "Hey
there, mister!" Thus having returned the derelict to cover, he would
smile very intimately, with a kind of sly cuteness, at the more handsome
young women directly before him--who invariably tittered back at him.
And thus, frequently, a little conversation was started.
Now as a vigilant historian of the social scene this matter of the
gallant relations of traffic policemen to perambulating ladies of
somewhat fashionable, even patrician aspect, I find highly interesting.
It is a subject which does not seem to have been much examined into.
Why, exactly, should flowers of débutante-Bryn-Mawr appearance look with
something like tenderness at policemen? Seems to me I have read now and
then in the papers strikingly romantic stories wherein a mounted
policeman in the park (formerly a cowboy) saved the life of an
equestrienne heiress on a runaway mount, and was rewarded the next day
(or something like that) with her hand. Such a story my mind always
gladly accepts as one of the dramatic instances where life artistically
imitates the movies. Crossing Thirty-fourth Street, however, seems to me
another matter.
Public-domain text, read in full here on John Shaqi.
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