Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
“The prison consists of two storeys of cells, running down each side of
a central corridor that extends up to the roof. Communication with the
cells of the upper storey is obtained by an iron balcony which runs the
length of the building at the height of the first storey. All the cell
doors open towards the inner end of the prison, where an altar has been
set up.
“When I say mass, they are all set ajar (there is in every case an
iron gate, kept locked, inside the wooden door), and so the prisoners
can look at the altar without seeing each other. I go round to them
at regular intervals, unless someone calls for me specially, and talk
to them from outside the iron gates. No, I am not afraid, but it is
the custom. They generally like to have me go, and appear really to
appreciate the comforts of religion. Read! Ah, you saw Library printed
up near the gate, did you? But there are very few books in it. What
can we give them? They must not read novels, and they must not read
politics. I give them a religious paper about the miraculous Madonna
at Pompeii, and some of them read that. Otherwise they do nothing. All
the work of the place, washing, nursing, cooking, building, cleaning,
is done by convicts. Even the barbers are convicts, and as they have
nearly served their time, and besides get better paid than the others,
they are careful of their behaviour; there is no need to be afraid
of them. That house down there, with its back against the rock, is
the lowest depth of all. The cells are dark, and none but the most
refractory prisoners ever go there. It has been empty for some time
past.
“Born criminals? No, I don’t much believe in that doctrine; I think
that in most cases one whom Lombroso would call a born criminal, may
be saved by careful training. Before I came here I knew a man who
brutally killed his wife while his little boy looked on. The man
was condemned; we looked after the bringing up of the boy. At first
but little could be done with him. He would bully his fellows, and
then, crossing his arms over his breast, would throw back his head
defiantly and say: ‘Do you know who I am? My father was the terror
of the village.’ He did not seem to know what pain was. I have seen
him undergo an operation in his finger which had been caught in a
machine, without a sign of suffering. One day the lads were working
at a machine, and one of them grew tired. ‘Who’ll take my place?’ he
called out. No answer. ‘Will no one help me?’ Another pause. Then the
criminal’s son called out, ‘I will.’ He went to the machine and worked
there till he was nearly dropping with fatigue. But from that day he
was completely changed, and he has grown up into a quiet, trustworthy,
hard-working man.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account