Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
THERE were three of us: men between youth and middle age who had gone
through school and college together, had walked the hospitals and
worked in the dissecting room without a break in our friendship; and,
separated by the exigencies of our practice, had still, as though
by some occult sympathy, kept in touch with each other across long
stretches of absence and silence. We were sitting with our coffee and
cigarettes on the public walk above Florence. Before us lay the great
square with the colossal David: the bronze giant that looks ever to
the hills beyond the town, with his sling ready to defend her from
assault; while behind us rose the church from which the creator of
that giant really had protected the city against the strange-speaking
North-men who had poured over those very hills for her destruction.
The last gleam of sunshine was, as we knew, making the gold of the
mosaic glitter over the church-door there above us. It lay too on the
town at our feet, lighting up the captivating grace of the bell-tower,
the chastened glow of whose marbles seemed actually before our eyes;
bringing out the unsurpassable curves of the cathedral dome, and the
squatter lines of that of St. Lorenzo, where the Medici moulder in
their marble tombs; lingering on the graceful sturdiness of the Palazzo
Vecchio; touching the spires of the church of St. Croce and of the
Bargello where prisoners once pined. It was that hour before the actual
sunset when the city, lying languidly amid the encircling hills, seems
consciously to breathe out the suavity by which she captures her lovers
and holds them to her in life-long thraldom. And two of us had been
long away from our mistress; the spirit of the time and the place was
upon us; confidences of loves and sorrows rose naturally to our lips.
Conti flung away his cigarette and threw himself back in his chair. I
glanced at his small nervous hands as he folded his arms; remembering
their quick, sure movements in the most delicate operations; and then
I looked into his blue eyes, whose bright sparkle the deadly habit of
morphine-taking, the future ruin of that bright career, was already
changing into dreaminess.
“Decidedly, Neri,” exclaimed he, “you are the most changed of the
three. There you sit smoking your cigarette as quietly as though we
came here every day of our lives. With a line between your brows, too!
You look as though you were obliged to take a wife to-morrow. What has
happened? Has someone got drowned in such a way that you cannot tell
whether it was a homicide or a suicide, and are afraid of misleading
justice? Has a supposed corpse come to life again and objected to being
dissected?”
Public-domain text, read in full here on John Shaqi.
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