Again, during the early days of his success with M----, he had
married--a young nurse who had previously been a clerk in a store, a
serious, earnest and from one point of view helpful person, seeing that
she could keep his domestic affairs in order and bear him children,
which she did, but she had no understanding of, or flair for, the type
of thing he was called upon to do. She had no instinct for literature or
the arts, and aside from her domestic capacities little skill or taste
for "socializing." And, naturally, he was neglecting her. His head was
probably surging with great ideas of art and hence a social supremacy
which might well carry him anywhere. He had bought a farm some distance
from New York, where in a community supposedly inhabited by successful
and superior men of letters he posed as a farmer at times, mowing and
cocking hay as became a Western plow-boy; and also, as the mood moved
him, and as became a great and secluded writer, working in a den
entirely surrounded by books in fine leather bindings (!) and being
visited by those odd satellites of the scriptic art who see in genius of
this type the _summum bonum_ of life. It was the thing to do at that
time, for a writer to own a farm and work it. Horace had. One individual
in particular, a man of genuine literary and critical ability and great
taste in the matter of all the arts but with no least interest in or
tolerance for the simplicities of effort, came here occasionally, as I
heard, to help him pile hay, and this in a silk shirt and a monocle; a
second--and a most fascinating intellectual _flaneur_, who, however, had
no vision or the gift of dreams--came to eat, drink, talk of many things
to be done, to steal a few ideas, borrow a little money perhaps or
consume a little morphine, and depart; a third came to spout of his
success in connection with plays, or his proposed successes; a fourth to
paint a picture, urged on by L----; a fifth to compose rural verse; a
sixth, a broker or race-track tout or city bar-tender (for color, this
last), to marvel that one of L----'s sense, or any one indeed, should
live in the country at all. There were drinking bouts, absolute
drunkenness, in which, according to the Johnsonian tradition and that of
Messieurs Rabelais and Molière, the weary intellect and one's guiding
genius were immersed in a comforting Lethe of rye.
Public-domain text, read in full here on John Shaqi.
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