We left the capital on Tuesday, April 14th, at ten o’clock, having
planned to accomplish but a single stage on the first day of the
journey. As our route lay along the south border of Imerina, we crossed
the Ikopa, and three of its tributaries, and bent our steps towards
Antongona, one of the most striking hills in the province. The Sisaony,
which we crossed first, is a broad but shallow river, which we had met
with higher up, near Ambátomaláza. The Andromba we found a hundred yards
broad and four feet deep. The Katsaoka, a few miles beyond was about the
same size. Both rivers rise among the eastern roots of Ankárat, and
coming round Fandravásana and Kingory, flow across a level, which looks
wonderfully like a dried-up lake; and uniting at its western end, flow
northward to join the Ikopa, at the foot of Ambohimanoa. Before crossing
these rivers we found that the population was sensibly growing thinner.
ANTONGONA is a noble hill of gneiss, running nearly east and west. Its
name seems to recognise its resemblance to the human foot. It consist of
two sections, and in the centre of the western part is a lofty mass of
rocks, round which a number of houses are clustered. We climbed to the
summit (570 feet above the plain); obtained important observations: and
had a striking view of the country, which lay clear beneath us on every
side.
On the second day we rested at Arivonimámo, the former capital of the
IMAMO district. It is a small decayed place, with seventy houses. It is
surrounded by a deep fosse, and has on its north side a fine specimen of
the Malagasy town-gate, with its round stone. In the centre of the
little town are some royal tombs, shaded by five noble amóntana trees.
All the principal families, once settled here, have removed to the
capital and its neighbourhood: and the population is kept up by their
dependents and a few aged people past work. The town stands in an open,
undulating plain: but it has little population around it.
[Illustration:
STONE GATE AT ARIVONIMAMO.
]
Public-domain text, read in full here on John Shaqi.
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