Twelve Stories and a DreamWells, H. G. (Herbert George)
Science
Twelve Stories and a Dream
Wells, H. G. (Herbert George)
Science fiction, English; Short stories
“With water,” said Gibberne, whacking down a carafe.
He stood up in front of his desk and regarded me in his easy chair; his
manner was suddenly affected by a touch of the Harley Street specialist.
“It's rum stuff, you know,” he said.
I made a gesture with my hand.
“I must warn you in the first place as soon as you've got it down to
shut your eyes, and open them very cautiously in a minute or so's
time. One still sees. The sense of vision is a question of length of
vibration, and not of multitude of impacts; but there's a kind of shock
to the retina, a nasty giddy confusion just at the time, if the eyes are
open. Keep 'em shut.”
“Shut,” I said. “Good!”
“And the next thing is, keep still. Don't begin to whack about. You
may fetch something a nasty rap if you do. Remember you will be going
several thousand times faster than you ever did before, heart, lungs,
muscles, brain--everything--and you will hit hard without knowing
it. You won't know it, you know. You'll feel just as you do now. Only
everything in the world will seem to be going ever so many thousand
times slower than it ever went before. That's what makes it so deuced
queer.”
“Lor',” I said. “And you mean--”
“You'll see,” said he, and took up a little measure. He glanced at the
material on his desk. “Glasses,” he said, “water. All here. Mustn't take
too much for the first attempt.”
The little phial glucked out its precious contents.
“Don't forget what I told you,” he said, turning the contents of the
measure into a glass in the manner of an Italian waiter measuring
whisky. “Sit with the eyes tightly shut and in absolute stillness for
two minutes,” he said. “Then you will hear me speak.”
He added an inch or so of water to the little dose in each glass.
“By-the-by,” he said, “don't put your glass down. Keep it in your hand
and rest your hand on your knee. Yes--so. And now--”
He raised his glass.
“The New Accelerator,” I said.
“The New Accelerator,” he answered, and we touched glasses and drank,
and instantly I closed my eyes.
You know that blank non-existence into which one drops when one has
taken “gas.” For an indefinite interval it was like that. Then I heard
Gibberne telling me to wake up, and I stirred and opened my eyes. There
he stood as he had been standing, glass still in hand. It was empty,
that was all the difference.
“Well?” said I.
“Nothing out of the way?”
“Nothing. A slight feeling of exhilaration, perhaps. Nothing more.”
“Sounds?”
“Things are still,” I said. “By Jove! yes! They ARE still. Except the
sort of faint pat, patter, like rain falling on different things. What
is it?”
“Analysed sounds,” I think he said, but I am not sure. He glanced at the
window. “Have you ever seen a curtain before a window fixed in that way
before?”
I followed his eyes, and there was the end of the curtain, frozen, as it
were, corner high, in the act of flapping briskly in the breeze.
“No,” said I; “that's odd.”
Public-domain text, read in full here on John Shaqi.
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