Twenty-Five Years in a Waggon in South Africa: Sport and Travel in South AfricaAnderson, Andrew A.
History
Twenty-Five Years in a Waggon in South Africa: Sport and Travel in South Africa
Anderson, Andrew A.
Africa, Southern -- Description and travel; Anderson, Andrew A. -- Travel -- Africa, Southern
Wednesday, I went in the morning, with Mr. and Mrs. Sykes, Mr. and Mrs.
Coillard and her sister, who seems to be about twenty, to the king's
kraal, to see the soldiers reviewed by the king, in the open space
between the town huts and the king's enclosure. It was a novel sight,
and one seen in no other part of the world. The regiments formed an
immense circle, eight and ten deep; there appeared to be about 4000, all
dressed in their war dress similar to those of yesterday. Each regiment
contains about sixty, and is distinguished by different coloured
shields. When they sing their war songs in their deep bass voices,
keeping time with stamping on the ground with their right and then left
foot, striking their shields with their assagais, the effect is grand--
the earth appears to tremble. Occasionally, one or two come out into
the centre of the circle, and go through the performance of fighting the
enemy, advancing, retreating, then in close combat, striking out with
their assagai in imitation of stabbing his foe, and making as many stabs
as he has killed victims; others come out when these retire, and this
performance goes on during the war songs. It is considered a great feat
if a warrior can jump high in the air, and strike his shield several
times with both ends of his short stabbing assagai, before touching the
ground and knocking his knees and feet together. Then come the king's
wives, old and young, and all the young royal girls, wearing a black
goat-skin kilt down to the knee, dressed out with yellow handkerchiefs,
the royal colour, profusion of many-coloured beads, many-coloured
ribbons, long sashes of broad yellow ribbon, all entering the arena at
the same time. Advancing to the centre with slow measured steps, they
raise first the left then the right leg, and put it down, keeping
excellent time, chanting native songs, the warriors remaining perfectly
still and silent, they then turn and retire in the same way; all this
time the king is not seen, he is in the cattle kraal with his
medicine-man, examining the intestines of two bullocks that have been
killed for that purpose. After a time, a clear road is made, and large
baskets filled with the intestines are brought out from the kraal: it is
death for a native to touch, it; or be near when it is passed away to
the king's enclosure. Then comes out the chief medicine-man, enveloped
in long ox-tails that completely conceal his tall figure, reaching to
the ground, with a little jockey cap on having fur in front and a long
crane's feather, when he marches up and down in the centre of the arena,
and in front of where the king is known to be, singing his praise.
After a time, the king makes his appearance, advancing from the kraal
with a towering head-dress of black ostrich feathers, an immense cape of
the same, a kilt of cats'-tails, with an assagai poised in his right
hand, advancing slowly in a stooping position; his fat sister Nina,
Public-domain text, read in full here on John Shaqi.
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