Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
One of the methods employed to persuade people to take season seats was
the membership in the Auxiliary of the Women’s Committees. Another was
the lure of big soloists. Year by year, this musical organization was
obliged to attract by advertising the appearances of great artists.
But once the audience was procured, it stayed; and today soloists are
on the verge of becoming unpopular. Such is the influence of symphonic
music.
The right to interrupt the progress of a concert by demands for
repeated encores was one which the audience gave up with little grace.
In 1913 a paragraph appeared on the programme, stating that:
“The management has decided in no case to permit
more than one encore.”
And again:
“As encores tend to disturb the unity of an orchestral
programme the patrons of the Philadelphia Orchestra
Concerts are respectfully informed that encore demands
cannot be granted.”
The conductor had one or two bad experiences, which occupied some
minutes, but finally patience won the day and the audiences realized
that this pleasure, if it was a pleasure, was over forever at a
symphony concert.
Next came the hat question. It is not a new one, for in 1841 the
Musical Fund Society placed this notice in one of its programmes:
“Ladies are particularly requested not to wear their
bonnets in the concert room.”
This makes one realize that Philadelphia women were always devoted
to their hats. The war on hats was a merry one and began as early as
1906, at a time when hats were large. It is rumored that the fashion
at the moment required pinned on hair, so hats could not be removed.
This matter was taken up in the Women’s Committee, thought by some to
be like the complaint desk of a department store; a situation of which
they are proud, as it shows how the public turns to the women. Much
discussion arose and notices began to appear in the programmes:
“For the greater convenience of all concerned, it is
earnestly hoped that the women patrons of the Orchestra
WILL REMOVE THEIR HATS during the performance. In many
cities local ordinances compel, by legal means, the
removal of head coverings that obstruct the view in
places of amusement.”
Public-domain text, read in full here on John Shaqi.
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