Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
There is a mistaken idea that coming late and leaving early is peculiar
to the modern era, and this day of haste. Far back in 1882 we know that
people left concerts early from this notice in a programme of that year:
“NOTICE
“The patrons of the Germania Orchestra Concerts are
respectfully requested to be in their seats, on the
evenings of the concerts, by eight o’clock punctually.
“Those persons who are unable to comply with this
request, will kindly wait in the lobby until the close
of the First Movement of the Symphony, when a pause
will be made to enable them to reach their seats.”
Coming late is the habit of the American world at least, even when
taking trains. Being locked out does not remedy this habit, it only
evokes a few growls.
Again the management took up the subject through the programme:
“NOTES OF INTEREST
“The hat question is not the only question that arises
from time to time to prevent that serene enjoyment of
concerts, which is the ideal estate of things hoped for
by Management and concert-goers. Perhaps in the Elysian
fields, choirs armed with angelic harps, are listened
to without distractions furnished by late-comers and
early-goers, or by people whose views on the numbers
interpreted are as obstreperous as their hats, or the
numberless physical annoyances that make for confusion
and noise, that seem to be inevitable in concert
auditoriums the country over. And this is apropos of
the fact that a subscriber has written in to say that
‘The general confusion during the last number of the
concerts on Friday afternoons is most annoying,’ and
she continues, ‘I am wondering whether a request cannot
be put in the programme to stop this nuisance, as has
been done with regard to the wearing of hats. This
is what one meets with; almost as soon as the last
number begins, hats and coats are put on, veils are
arranged, and during the playing of the finale people
keep leaving, causing a general feeling of unquiet and
unrestfulness. This seems to me very discourteous, and
is most annoying to those who really want to enjoy the
concert from start to finish. I know that sometimes it
is necessary for a subscriber to leave early, but may I
suggest that the persons who have to leave before the
last number, vacate their seats before the Orchestra
starts to play.’
“All this seems reasonable enough, but it is a matter
entirely in the hands of the concert-goers, who form
their own ‘court of honor’ in these particulars.”
Public-domain text, read in full here on John Shaqi.
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