1922-1923: Camille Zeckwer, “Jade Butterflies”; Strawinsky, “Trois Poésies de la Lyrique Japonaise”; Enesco, Symphony E flat, Roumanian Rhapsody, Enesco, guest conductor; Brahms, concerto for violin, Enesco, violinist; January 26th and 27th, 1923, compositions by Milhaud, Poulenc, Auric, Satie; Schelling, “A Victory Ball”; Pick-Mangiagali, “Sortilegi,” Symphonic Poem, piano and orchestra; D. G. Mason, Prelude and Fugue, piano and orchestra; Henry Eichheim, Oriental Impressions for Orchestra; Schoenberg, “Kammersymphonie”. 1923-24: Strawinsky, “Chant du Rossignol”[60]; Bach concerto for harpsichord; Händel, concerto for harpsichord, Wanda Landowska, soloist; Strawinsky, “Symphonie d’Instruments à Vent”[61]; Josef Hofmann, compositions for piano and orchestra, East and West, Caliedescope, the Haunted Castle, “Chromaticon” (Dvorsky); Ottorino Respighi, “Sinfonia Drammatica”; Deems Taylor, Suite “Through the Looking Glass”; compositions by Magnard, Jean-Jules-Amable Roger-Ducasse; Hand Krása; Strawinsky, “Renard,” burlesque for Chamber Orchestra, two tenors, two basses; Beethoven, Ninth Symphony with Toronto Choir. [56] First performance in America. [57] First performance in America. [58] First performance in America. [59] First performance in America. [60] First performance in America. [61] First performance in America. 1924-25: Nicholas Medtner, piano concerto, composer at piano; Edgar Varese, “Hyperprisms”; Paul Hindemuth, Nusch-Nuschi Dances; Karl Szymsanowski, violin concerto[62]; Kurt Atterberg, Symphony No. 2; Henry Joslyn, War Dance from Suite, “Native Moments”; Strawinsky programme, Strawinsky guest conductor; Prokokieff, Suite Scythe, “Ala and Lolli”; Arthur Bliss, “Mêlée Fantasque”; Germaine Taillefer, Concerto[63] for piano and orchestra; Isaac Albeniz, “Fête Dieu à Séville”; Edward Burlingame Hill, Arthur Bliss, compositions for two pianos and orchestra. [62] First performance in America. [63] First performance in America. It must not be supposed from the above that the usual standard works are not performed. The list is given to show the wide musical range to which Philadelphians are treated. No mention has been made of the many Wagner and Tschaikowsky programmes that have been presented. They have occurred every year and are always a delight.