Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
“During the month before his nervous breakdown, Scheel,
encouraged by the artistic and financial success which
was attending the season’s performances, redoubled his
efforts to make the remaining concerts even outshine in
brilliancy and attendance the preceding ones.
“There is no doubt that he would have succeeded, for he
had not only imbued both the musicians in the orchestra
with his zeal, but had also wrought the music lovers of
Philadelphia up to a high pitch of enthusiasm.”
_Philadelphia Press_, Thursday, March 14, 1907:
“MAGIC OF SCHEEL’S BATON STILLED BY LEADER’S
DEATH”
“Double pneumonia ends life of gifted musician who
brought the Philadelphia Orchestra to a high plane of
excellence.
“Philadelphia music lovers suffered perhaps the
severest loss in the city’s musical history yesterday,
when Fritz Scheel, director of the Philadelphia
Orchestra, succumbed to double pneumonia.”
* * * * *
“The news was received with sorrow among rich and
poor alike, among those who were regular subscribers
to the season of symphony concerts, as well as among
those, who loving music, waited patiently in line for
the doors to the family circle and amphitheatre of the
Academy of Music to open, to hear the diverse program
which it was Scheel’s wont to perform.
“The maestro had made a brave fight for his life, his
vitality, according to his physicians, having been
remarkable.”
* * * * *
“Mr. Scheel added to the technical equipment, which
is the natural product of German life and training,
a poetic temperament and a broad outlook on matters
musical, which not only gave great vivacity and variety
to his programmes, but which made for such insight in
the matter of the meaning of any given composition, as
to produce the most illuminating and inspiring results.
“A course of seven seasons under his baton was,
therefore, not only pleasurable in the highest sense
of the meaning of the word, but instructive and
educational to a marked degree, the entertainment
however, marked, being as it were, incidental to a
greater purpose of not only creating, but of satisfying
the desire for the higher things in the most glorious
of arts. In this sphere of endeavor Mr. Scheel’s
singleness of purpose was well known. His devotion to
musical ideals was manifest in everything he did, and
his concentration on what he considered his lifework
was of so energetic and absorbing a character as to
make serious inroads on his health and strength. His
death places the musical world peculiarly in his debt,
since he arrived in Philadelphia at a critical period
in our musical history and met the situation admirably.
Public-domain text, read in full here on John Shaqi.
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