Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot SeriesAberigh-Mackay, George
General
Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot Series
Aberigh-Mackay, George
India -- Description and travel; India -- Politics and government -- 1765-1947; India -- Social life and customs
[Ali Baba! I know not what thou art, but know that thou and I must
part; and why or where and how we met, I own to me's a secret yet. Ali
Baba, we've been long together through pleasant and through cloudy
weather; 'tis hard to part when things are dear, bar silver, piece
cloth, bottled beer, then steal away with this short warning: choose
thine own winding-sheet, say not good-night here, but in some brighter
binding, sweet, bid me good morning.]--ALI BABA, K.C.B.
EXTRACTS FROM _SERIOUS REFLECTIONS AND OTHER CONTRIBUTIONS_.
BY "OUR POLITICAL ORPHAN."
_The Bombay Gazette Press_, 1881.
No. XXXIV
THE TEAPOT SERIES
SOCIAL DISSECTION
[January 5, 1880.]
GOSSIP I.
MY DEAR MRS. SMITH,
I cannot understand why Mrs. Smith, with her absurd figure--for really
I can apply no other adjective to it--should wear that most absurdly
tight dress. Some one should tell her what a fright it makes of her.
She is nothing but convexities. She looks exactly like an hour-glass,
or a sodawater machine. At a little distance you can hardly tell
whether she is coming to you, or going away from you. She looks just
the same all round. People call her smile sweet; but then it is the
mere sweetness of inanity. It is the blank brightness of an empty
chamber. She sheds these smiles upon everyone and everything, and they
are felt to be cold like moonshine. Speaking for myself, these
_eau-sucré_ smiles could not suckle my love. I would languish upon
them. My love demands stronger drink. Mrs. Smith's features are good,
no doubt. Her eyes are good. An oculist would be satisfied with them.
They have a cornea, a crystalline lens, a retina, and so on, and she
can see with them. This is all very satisfactory, I do not deny, as
far as it goes. Physiologically her eyes are admirable; but for
poetry, for love, or even for flirting, they are useless. There is no
significance in them, no witchery, no suggestiveness. The aurora of
beautiful far-away thoughts does not coruscate in them. Her eyelids
conceal them, but do not quench them. They would be nothing for
winking, or tears. If she winked at me, I should not jump into the
air, as if shot in the spine, with my blood tingling to my
extremities; my heart would not beat like a side-drum; my blushes
would not come perspiring through my whiskers. Her winking would
altogether misfire. Why? Because her winking would be physiological
and not erotic. If you ever learnt to love her, it would not be for
any lovelight in her eye; it would never be the quick, fierce, hot,
biting electric passion of the fleshly poets, it would be what a
chemist might call the "eremacausis" kindled by habit. Mrs. Smith's
tears are quite the poorest product of the lachrymal glands I have
ever seen. They are simply a form of water. They might dribble from an
effete pump; they might leak from a worn-out _mashq_.[AA] I observe
them with pity and regret. Their drip has no echo in my bosom; it
produces no stalactites of sympathy in my heart.
Public-domain text, read in full here on John Shaqi.
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