I wanted to see the lounge one last time. I went down the gangways and
arrived at the museum where I had spent so many pleasant and
productive hours. I stared at all its wealth, all its treasures, like
a man on the eve of his eternal exile, a man departing to return no
more. For so many days now, these natural wonders and artistic
masterworks had been central to my life, and I was about to leave them
behind forever. I wanted to plunge my eyes through the lounge window
and into these Atlantic waters; but the panels were hermetically
sealed, and a mantle of sheet iron separated me from this ocean with
which I was still unfamiliar.
Crossing through the lounge, I arrived at the door, contrived in one
of the canted corners, that opened into the captain’s stateroom. Much
to my astonishment, this door was ajar. I instinctively recoiled. If
Captain Nemo was in his stateroom, he might see me. But, not hearing
any sounds, I approached. The stateroom was deserted. I pushed the
door open. I took a few steps inside. Still the same austere, monastic
appearance.
Just then my eye was caught by some etchings hanging on the wall,
which I hadn’t noticed during my first visit. They were portraits of
great men of history who had spent their lives in perpetual devotion
to a great human ideal: Thaddeus Kosciusko, the hero whose dying words
had been Finis Poloniae;* Markos Botzaris, for modern Greece the
reincarnation of Sparta’s King Leonidas; Daniel O’Connell, Ireland’s
defender; George Washington, founder of the American Union; Daniele
Manin, the Italian patriot; Abraham Lincoln, dead from the bullet of a
believer in slavery; and finally, that martyr for the redemption of
the black race, John Brown, hanging from his gallows as Victor Hugo’s
pencil has so terrifyingly depicted.
*Latin: “Save Poland’s borders.” Ed.
What was the bond between these heroic souls and the soul of Captain
Nemo? From this collection of portraits could I finally unravel the
mystery of his existence? Was he a fighter for oppressed peoples, a
liberator of enslaved races? Had he figured in the recent political or
social upheavals of this century? Was he a hero of that dreadful civil
war in America, a war lamentable yet forever glorious . . . ?
Suddenly the clock struck eight. The first stroke of its hammer on the
chime snapped me out of my musings. I shuddered as if some invisible
eye had plunged into my innermost thoughts, and I rushed outside the
stateroom.
There my eyes fell on the compass. Our heading was still
northerly. The log indicated a moderate speed, the pressure gauge a
depth of about sixty feet. So circumstances were in favor of the
Canadian’s plans.
Public-domain text, read in full here on John Shaqi.
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