In this grim edifice a man sentenced to twenty years imprisonment might pass all of that time buried from sight in his cell, seeing only his keeper, the chaplain, the doctor and the schoolmaster, and for twenty minutes in every six weeks he would be allowed to talk with a near relative. This man loses his identity the moment he enters the prison gates. A black cap is drawn over his head and he is led to a cell in one of the many corridors that radiate from the central tower like spokes from the hub of a wheel. He is known thereafter by a number. The cell in which he eats and sleeps and works is a little larger than the average prison cell, and more completely furnished--as it must hold his bed, his lavatory, his dishes and a place for eating, his work, his every possession, and such books as he may secure from the prison library. His front door opens on a corridor and is kept ajar on a heavy chain so the prison guards may watch him. His back door opens on a plot of ground about 8×10 feet. It is surrounded and cut off from all communication from every living human being by a brick wall. Only the watchman in the central tower and the birds that wing their way over the prison can see him in his little yard. Robinson Crusoe on his deserted island could not be more utterly lonely. In this tiny yard is a circular path worn smooth and pressed deep into the soil by the feet of despairing men--his predecessors. The prisoner is forbidden even the negative pleasure of going out into this God-forsaken walled plot of bare ground except for one hour a day. In his gloomy cell the prisoner drags out the "task" given him to escape insanity. He fears to be idle without the sound of a human voice in his ear or the sight of a human face to relieve his awful loneliness. To lengthen these "tasks" the State of Pennsylvania has provided primitive hand-looms, some 100 years old, and other discarded makeshifts of man's industrial infancy. Not for him has the world progressed beyond the caveman's day. Perhaps he is a skilled mechanic, a man accustomed to the swift play of machinery, the grip of tool on material. He is condemned to manufacture by primitive methods the clothes he wears to keep him from quite going mad. EXTREME METHODS FAULTY. As between the abominable "contract" and "lease" systems and this reversion to blind seclusion, is there no human method to be found of apportioning the convict's labor? Yet No. 99, locked away in his solitary cell in the Philadelphia prison, must toil laboriously, denying his brain and hand their cunning, with a pretense at occupation. He is not sharing in the world's work. He knows this child's play of making something that no one needs on an instrument left over from the twelfth century is futile and foolish. How shall he meet and battle with the great world of commerce and labor after twenty years of this? In what way is this make-believe fitting him for liberty?