The fakir tells her that that is a profound secret, and that he is sworn
to reveal no names, though he has no hesitation in giving her the cost
of the picture. That is to be twenty-five dollars. Then he starts for
the door, but turns around to say, “Oh, by the way, they said nothing
about a frame. Don’t you want to buy one? A picture of that kind never
produces one-half the effect without a frame, and of course we can give
you a better quality at a cheaper rate than you can get from your local
dealers.”
Sometimes she would say, “I do not think I will buy until I get the
picture.”
Then the fakir proceeds to tell her that his reputation is staked on
that picture, and that if it is satisfactory he will obtain a dozen
orders for the ten-dollar size; and that he could not think of
delivering such a work of art without a properly matched and
corresponding frame.
The lady is already in a good state of mind, being elated over the idea
of receiving such an elegant present, and is not at all inclined to
quibble on the matter of expense; the fakir is argumentative, eloquent
and persuasive. She falls his victim. In a few days the portrait is
delivered, grandly framed, and the flattered lady hands out her share,
never suspecting that the cost of the frame well covered the price of it
and the picture.
That is one way to make the business pay, and if the lady is too
innocent to find out the deception, her portrait can be made a
stepping-stone for a dozen other orders, just as was suggested to her.
After all, people are a good deal like sheep—a whole flock will follow
where one leads, however unwittingly.
The fact is, I would have been willing to give away the portrait every
time if I could have obtained full price for the frame, had it not been
contrary to business principles.
Sometimes, after securing a number of orders, some of them would be
turned back to me. The party might die, or go broke, or something else
happen, and I usually had some dead wood on my hands about the time I
was almost ready to leave.
That gave me little trouble. The frames were very fine, of six-inch,
heavy moulding, beautifully fluted and with gilt or oxidized trimmings.
So far as looks went, they were worth all you might ask for them, if you
left out of account the actual cost of manufacture. I would walk into a
man’s place of business and set the frame against something so the light
could shine full upon it. Then I would ask:
“What do you think of that for six dollars?”
Customer.—“It’s pretty nice, but don’t try to sell me any today; I
haven’t the money.”
Agent.—“Who said I wanted to sell them? I am giving them away.”
Customer.—“How is that?”
Public-domain text, read in full here on John Shaqi.
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