While apparently doing a business that should have yielded a large
surplus, my expenses were already so great that I was actually making
less money than when traveling alone, while a few weeks of poor
business, such as were liable at any moment to occur, would put me
decidedly in the hole. I paid off all salaries to the end of the month,
closed up my affairs, disbanded my company, and once more hit the road,
solitary and alone.
After all the noise and rush of the past months, the first few weeks
which followed were solemn, if not awful; but I stuck it out, found that
the portrait line was as good as ever, and what I made was my own. I
could visit towns which had been too small to stand the expense of the
troupe, but were full to the brim of untouched business, which I worked
after the same old style.
When a great battle is won by shrewd maneuvering they call it a splendid
display of strategy; when a fakir carries his point in the same way it
is branded as infernal trickery. Early in the battle of life I
discovered that I would have to do a great deal of strategical
maneuvering or starve; and I seldom failed, however well defended his
front might be, to turn the flank of the enemy if it was at all
unprotected, often snatching victory out of the very jaws of defeat.
Once, under peculiar provocation, I obtained an order from a saloon
keeper for a nice crayon portrait of his wife. I had great hopes of
getting an order for his own portrait also, and with that end in view,
and being naturally of a generous disposition when I circulated among
the boys, I spent about five dollars at the bar. When he turned me down
in what I thought rather a bare-faced style, I set about getting even.
His wife was a pronounced brunette, with black, curly hair, bright eyes
and clear-cut features, being an excellent subject for a portrait.
When the picture was finished it was really a very fine one, and taking
it around to the saloon a day or two before I had promised delivery I
asked his honor what he thought of it. He admired it immensely and was
more than pleased.
“Well,” said I, “it may be a surprise, but this picture is not for you.
The one you ordered is not finished yet, and this is done by a new
process and for a particular purpose.”
“If that is not for me I’d like to know who it is for?” he asked, about
as angry as he was surprised.
“For me,” I told him. “It is such a perfect picture, and such a splendid
example of what the new art will do, and what a magnificent picture can
be obtained for only ten dollars more, that the house has sent it to me
to canvass with.”
You can believe that he got dead stuck on the picture and wanted it
instead of the other. I asked him an increase of ten dollars for it, but
compromised by accepting from him five dollars more than the original
contract price. He never knew the difference, and I got back the money I
had spent at his saloon.
Public-domain text, read in full here on John Shaqi.
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