Twenty Years in Europe: A Consul-General's Memories of Noted People, with Letters From General W. T. ShermanByers, S. H. M. (Samuel Hawkins Marshall)
History
Twenty Years in Europe: A Consul-General's Memories of Noted People, with Letters From General W. T. Sherman
Byers, S. H. M. (Samuel Hawkins Marshall)
Europe -- Description and travel
The poet came into the little drawing-room with a full blown red rose
in his buttonhole. He took me by the hand and welcomed me very kindly.
I commenced to apologize for coming on Sunday. “Tut--tut,” said he, “no
apology; I hope we are not so puritanical as not to want to see our
friends on a Sunday.” And then we sat down and talked about his nephew
who had been in Switzerland. His language was vivacious, his eye clear,
his cheeks rosy, his hair perfectly white. I was surprised to see how
small was his figure, for I had always thought of Longfellow as a tall
man with a great Leonine head; his pictures make him so.
[Illustration: Vecchio Palace, Florence.]
I could not wholly help a glance around the famous room. I am sure
he saw it, for he offered to show me some of the things that he knew
I had read about. They were not bought bric-a-brac, but souvenirs, or
else things his poetry and life had immortalized. Somehow he seemed to
me a man to love--simple, pure and beautiful as his verses.
I also had letters to Mr. Bronson Alcott, the transcendentalist
philosopher. He received me one morning in a very cordial manner. It
was in his library. We talked of books and something of his life. I had
just been out to the battlefield of Lexington, looked at the bronze
monument of the “Minute Man” there, and was so struck with the verse
on it as to commit it to memory. “And Mr. Emerson wrote it,” I said,
somewhat uncertain as to my memory. “Certainly, certainly,” said Mr.
Alcott. “Of course, that is Mr. Emerson’s. We Americans don’t half
know what a poet we have in Mr. Emerson.” He went to the book shelves
and brought a volume of Emerson’s poems, presented to him, with this
particular poem marked in it, and showed it with evident pride.
By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.
Shortly, he proposed to take a walk. He would show me the town, the old
elms, the old, old graveyard and the famous Lecture Hall, “and then,”
said he, “we will swing around and call on Mr. Emerson.”
He showed me all about, talking, as only Mr. Alcott could talk. When
we reached the unpretentious frame building called the Lecture Hall,
in the edge of the bushes, I reflected what great things had been said
there, what ideas given wing, and now I felt sure I was about to be
overwhelmed with deep philosophy. Nothing of the kind. He spent a full
half hour telling me about the cost of the wooden structure and its
course of building, from the underpinning to the top of the chimney.
I was anxious to move on and be sure to have our call on Mr. Emerson.
We really started once, but immediately Mr. Alcott recalled something
about the wonderful “Hall” he had not shown me, and we went back.
At last we started in earnest, and reached the white frame house that
neighbors and friends of Mr. Emerson had built in place of the one
destroyed by fire.
Public-domain text, read in full here on John Shaqi.
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