Twenty Years in Europe: A Consul-General's Memories of Noted People, with Letters From General W. T. ShermanByers, S. H. M. (Samuel Hawkins Marshall)
History
Twenty Years in Europe: A Consul-General's Memories of Noted People, with Letters From General W. T. Sherman
Byers, S. H. M. (Samuel Hawkins Marshall)
Europe -- Description and travel
I have an American friend who calls at the office at 2 P.M. every
day now, to tell me in detail all the war news that I have just
finished reading in the papers. It requires an hour, but he does it up
thoroughly, and this, of all things, has made me wish the war would
hurry to a close. But are not _Consuls_ paid to _listen_ to their
countrymen sometimes?
While at home last winter, I arranged to continue writing articles for
some of the magazines, and the labor makes pleasant employment for
leisure hours. Many reports for the Government, too, on all conceivable
subjects, continue to be asked for and are printed as fast as sent in.
They are the result of a good deal of careful looking about.
CHAPTER XVI
1877
FRANZ LISZT AT ZURICH--SWISS, GREAT LOVERS OF MUSIC--WAGNER
ONCE LIVED HERE--HIS SINGULAR WAYS--DR. WILLI--MADAME
LUCCA’S VILLA--LISZT’S KISSING BEES--JEFFERSON DAVIS’
DAUGHTER--A LAUGHABLE MISTAKE.
_September, 1877._--The Swiss have almost as much love for music as
the Italians, though they have no composers of great reputation. Every
city, town, and hamlet has its Music Guilds and clubs. The whole male
population seems to sing. There are many fine instrumental performers
among the women, but few good singers. The male bird is the vocalist
here. Zurich is a center for great concerts, oratorios, etc., where
Europe’s greatest artists appear. The “Tonhalle” orchestra is one of
the best in Europe. These are the men who first rehearsed and played
Wagner’s earlier operas. Seven years of Wagner’s life were spent in
Zurich, in exile. The people here still talk of his singular ways as a
citizen. Zurich was then, as now, a Wagner-music loving place, even at
a time when London and Paris would not listen to a Wagner opera.
My friend here, Schulz-Beuthen, himself a composer, is the happy
possessor of Wagner’s old piano, at which he composed some of his
immortal works.
Wagner was poor when in Zurich, and lived by writing musical
criticisms. For his own music, there was no sale. He had one or two
rich friends here, however, notably the Wiesendoncks and the Willis,
who encouraged not only his music, but a most singular method he had of
getting rid of debts. It was a pretty way he had of calling on these
opulent friends and, by the merest accident, leaving his grocer’s,
tailor’s or hostler’s bills lying on the drawing-room table. His kind
friends naturally discovered the missives, and quietly _paid_ them. It
was a little joke whispered about that the number of Wagner’s calls at
rich men’s houses was entirely numbered by the bills he was owing. All
the same, he had rather good times by the beautiful lake.
Dr. Willi had Wagner one whole season at his lakeside home. Just across
the lake was the villa of the Wiesendoncks, and Wagner kept a little
boat very busy, carrying his operatic “Motives” back and forth between
his kind musical patrons.
Public-domain text, read in full here on John Shaqi.
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