Twice round the clock; or, The hours of the day and night in LondonSala, George Augustus
General
Twice round the clock; or, The hours of the day and night in London
Sala, George Augustus
London (England) -- Social life and customs -- 19th century
There! I am fairly out of breath. The mere perusal of the catalogue
is sufficient to give one vertigo. But whence, you will ask, the
extraordinary incongruity of the articles sold? We know when a gentleman
“going abroad” or “relinquishing housekeeping,” and who is never—Oh dear,
no!—in any manner of pecuniary difficulty, honours Messrs. So-and-So with
instructions to sell his effects, what we may look forward to when the
carpets are hung from the windows with the sale-bills pinned thereon,
and the auctioneer establishes a temporary rostrum on the dining-room
table. We know that after the “elegant modern furniture” will come
the “choice collection of pictures, statuary, and _virtù_,” then the
“carefully-selected library of handsomely-bound books,” and then the
“judiciously assorted stock of first-class wines.” But what gentleman,
what tradesman, what collector of curiosities and odds and ends even,
could have brought together such an astounding jumble of conflicting
wares as are gathered round us to-day! The solution of the enigma
lies in a nutshell, and shall forthwith be made manifest to you. The
articles sold this afternoon are all _pawnbrokers’ pledges unredeemed_,
and this is one of Messrs. Debenham and Storr’s quarterly sales, which
the law hath given, and which the court awards. Your watch, which your
temporary pecuniary embarrassments may have led you to deposit with a
confiding relative thirteen months since, which your renewed pecuniary
embarrassments have precluded you from redeeming, and which your own
unpardonable carelessness has made you even forget to pay the interest
upon, may be among that angling bundle of time-pieces which the clerk
holds up, and on which the auctioneer is, at this very moment, descanting.
The eloquence of the quarterly sale does not by any means resemble the
flowery Demosthenic style first brought into fashion among auctioneers
by the distinguished George Robins. Here are no ponds to be magnified
by rhetoric into fairy lakes, no little hills to be amplified into
towering crags, no shaven lawns to be described as “boundless expanses
of verdure.” The auctioneer is calm, equable, concise, but firm, and the
sums realised by the sale of the articles are reasonable—so reasonable,
in fact, that they frequently barely cover loan and interest due to the
pawnbroker. But that is his risk; and such is the power of competition
in trade, that a London pawnbroker will often lend more upon an article
than it will sell for. In the provinces the brethren of the three golden
balls are more cautious; and in Dublin they are shamefully mean in
their advances to their impoverished clients; but it is in Paris _par
excellence_, that the great national pawning establishment, the Mont de
Piété, manifests the most decided intention, by the microscopic nature of
its loans, of taking care of itself.
Public-domain text, read in full here on John Shaqi.
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