From this gay and resplendent warrior, we fall, alas! to a very prosaic level. As eight o’clock chimes from the smoky-faced clock of the Horse Guards, I try in vain (I have dismissed my shadowy friends) to people the Mall with aristocratic visitants. Alas and indeed! the magnificent promenade of the park, on which look the stately mansions of the nobles, is pervaded by figures very mean, very poor and forlorn in appearance. Little troops of girls and young women are coming from the direction of Buckingham Palace and the Birdcage Walk, but all converging towards the Duke of York’s column: that beacon to the great shores of Vanity Fair. These are sempstresses and milliners’ workwomen, and are bound for the great Dress Factories of the West End. Pinched faces, pale faces, eager faces, sullen faces, peer from under the bonnets as they pass along and up the steps. There are faces with large mild eyes, that seem to wonder at the world and at its strange doings, and at the existence of a Necessity (it must be a Necessity, you know), for Jane or Ellen to work twelve hours a day; nay, in the full London season, work at her needle not unfrequently all night, in order that the Countess or the Marchioness may have her ball dress ready. * * * * * [Illustration: EIGHT O’CLOCK; OPENING SHOP.] There is another ceremony performed with much clattering solemnity of wooden panels, and iron bars, and stanchions, which occurs at eight o’clock in the morning. ’Tis then that the shop-shutters are taken down. The great “stores” and “magazines” of the principal thoroughfares gradually open their eyes; apprentices, light-porters, and where the staff of assistants is not very numerous, the shopmen, release the imprisoned wares, and bid the sun shine on good family “souchong,” “fresh Epping sausages,” “Beaufort collars,” “guinea capes,” “Eureka shirts,” and “Alexandre harmoniums.” In the smaller thoroughfares, the proprietor often dispenses with the aid of apprentice, light-porter, and shopman—for the simple reason that he never possessed the services of any assistants at all—and unostentatiously takes down the shutters of his own chandler’s, green-grocer’s, tripe, or small stationery shop. In the magnificent linendrapery establishments of Oxford and Regent Streets, the vast shop-fronts, museums of fashion in plate-glass cases, offer a series of animated _tableaux_ of _poses plastiques_ in the shape of young ladies in morning costume, and young gentlemen in whiskers and white neckcloths, faultlessly complete as to costume, with the exception that they are yet in their shirt sleeves, who are accomplishing the difficult and mysterious feat known as “dressing” the shop window. By their nimble and practised hands the rich piled velvet mantles are displayed, the _moire_ and _glacé_ silks arranged in artful folds, the laces and gauzes, the innumerable whim-whams and fribble-frabble of fashion, elaborately shown, and to their best advantage.