Twice round the clock; or, The hours of the day and night in LondonSala, George Augustus
General
Twice round the clock; or, The hours of the day and night in London
Sala, George Augustus
London (England) -- Social life and customs -- 19th century
Some one is here, doubtless,
to report the case for to-morrow’s papers, but no active pens seem
moving. The Chief has not assumed his legal harness yet; and the junior
counsel employed in the case are bungling over their preliminaries.
The faded moreen curtains; the shabby royal arms above the judge, with
their tarnished gilding, subdued-looking lion, and cracked unicorn; the
ink-stained, grease-worn desks and forms; the lack-lustre, threadbare
auditory, with woe-be-gone garments and mien, who fill up the hinderpart
of the auditory: though what they can want in the Court of Queen’s Bench
Heaven only knows; the bombazine-clad barristers, in their ill-powdered
wigs—quite fail in impressing you with a sense of anything like grandeur
or dignity. Yet you are in _Banco Reginâ_. Here our sovereign lady
the Queen is supposed to sit herself in judgment; and from this court
emanates the Great Writ of Right—the Habeas Corpus. To tell the truth,
neither counsel, jury, nor audience seem to know or to care much about
what is going on; but there are three persons who sit up aloft—not
exactly sweet little cherubs, for they are very old, wrinkled men—who
know the case like a book, and considerably better than many books; who
have weighed the _pros_ and _cons_ to the minutest hair’s breath, to a
feather’s turn of the scale, who are awake and alive, alive O! to all
the rhetorical flourishes and ingenious sophistry of the advocates, and
who will tell the jury exactly what the case is made of in about a tithe
of the time that the junior counsel would take in enumerating wrongs of
which the plaintiff complains, or whose commission the defendant denies.
It is an edifying sight to watch the presiding judge—that shrivelled
man in petticoats—with his plain scratch wig all awry. Now he hugs his
arms within his capacious sleeves; now he crosses his legs; now, yes,
now he twiddles his judicial thumbs; now he nods his august head, allows
it to recline over one shoulder, and seems on the point of falling off
to sleep; now he leans wearily, his cheek in his hand, his elbow on
the bench, first on one side, then on the other; then he rises, shakes
his old head, yawns, and, with his hands in his pockets, surveys the
outer bar through gold-rimmed spectacles. He seems the most bored, the
most indifferent spectator there; but only wait till the chiefs on both
sides have concluded their eloquent bamboozling of the jury; mark my
Lord Owlett settle his wig and his petticoats then, sort and unfold the
notes he has been lazily (so it seemed) scrawling from time to time, and
in a piping, quavering voice, begin to read from them. You marvel at
the force, the clarity, the perspicuity of the grand old man; you stand
abashed before the intellect, clear as crystal, at an age when man’s
mind as well as his body is oft-times but labour and sorrow; you are
astonished that so much vigour, so much shrewdness, so much eloquence,
should exist in that worn and tottering casket.
Public-domain text, read in full here on John Shaqi.
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