Twice round the clock; or, The hours of the day and night in LondonSala, George Augustus
General
Twice round the clock; or, The hours of the day and night in London
Sala, George Augustus
London (England) -- Social life and customs -- 19th century
To the uninitiated, “trooping the guard” appears to consist in some
hundred and fifty grenadiers in full uniform, their drums and fifes and
their brass band at their head, marching from the Horse Guards, across
the parade ground, and along the Mall to the Palace-yard, where the
Queen’s colours are stuck into a hole in the centre, where the officer on
guard salutes them, where the other officers chat in the middle of the
quadrangle, and where officers and men, and a motley crowd of spectators,
listen to the enlivening strains of the brass band playing selections
from the popular operas of the day. No complicated manœuvres seem to be
performed; the automaton-like inspection of the “troops” takes place on
the other side of the park; and when the colours are firmly fixed, and
left in charge of a sentry, the “troops” file off again, the officers
repairing to their clubs, and the soldiers to their barracks, while the
brass bandsmen at once subside into private life, and become civilians of
decidedly Cockney tendencies.
Hungry men are said, sometimes, to lull the raging of their appetites by
sniffing the hot, and, to some noses, fragrant breeze which is emitted
from between the gratings of an eating-house. To some the contemplation
of eel pies, smoking rounds of beef, rumpsteak pies, and pen’orths of
pudding, shining in the glory of dripping, and radiant with raisins, is
almost as satisfying as the absolute possession of those dainties. It is
certain that contented spirits do yet exist, by whom the sight of the
riches and the happiness of others is accepted as a compensation for the
wealth and the felicity which they do not themselves enjoy. It is a very
pleasant mental condition, this—to be able to stare a pastrycook’s window
out of countenance, and partake of, in imagination, the rich plum-cakes,
the raspberry-tarts, and the lobster-patties, without coveting those
dainties; to walk up Regent Street, and wear, mentally, the “ducks of
bonnets,” the Burnouse cloaks and the Llama shawls, which poverty forbids
us to purchase; to walk through the Vernon or Sheepshanks collections,
and hang up the delightful Landseers, Websters, and Mulreadys in
fantastic mind-chambers of our own; to call Hampton Court and Windsor
our palaces, and St. James’s and the Green our parks; to fancy that the
good people who have horses and carriages, and jewels, and silks, and
satins, have but a copyhold interest in them, and that the fee-simple of
all these fine things is in us. Such imaginative optimists can sit down
unmurmuringly to a Barmecide feast; the “Court Circular” pleases them
as much as an invitation to the Queen’s ball; a criticism on “Lucrezia
Borgia” at the opera delights them as much as an actual stall at Covent
Garden; and Mr. Albert Smith’s Egyptian Hall ascent of Mont Blanc, and
his more recent Chinese entertainment, are to them quite as full of
interest and adventure as a real pilgrimage to Chamouni, a toilsome
Public-domain text, read in full here on John Shaqi.
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