Now, do you understand why I alluded to the pleasures of imagination in connection with the contemplation of cook-shops, pictures, and palaces? Now, do you comprehend how a hopelessly solitary man—if you put a single grain of philosophic _hachisch_ into that pacific calumet of his—can derive so much pleasure and contentment from the sight of other folk’s weddings? I say nothing of courtship, which, on the part of a third party, argues a certain amount of, perhaps, involuntary eavesdropping and espionage, but which, when the boys and girls love each other sincerely, is as delightful a sight as the sorest of eyes, the sorest of hearts, could desire to witness. What pretty ways they have, those simple young “lovyers!” what innocent prattlings and rompings, what charming quarrels and reconciliations! Edward would dance with Miss Totterdown last night; Clara flirted most shamefully with Wertha Bjornsjertnjöe, the Scandinavian poet, and Lady Walrus’s last lion. What confiding billings and cooings! how supremely foolish they are! and what an abhorrent thing is common-sense in love at all! Wondrously like ostriches, too, are Jenny and Jemmy Jessamy. They hide their pretty heads in each other’s bosoms, and fancy they are totally invisible. They have codes of masonic telegraphy, as legible as Long Primer to the meanest understanding. I reckon among my friends a professor of photography in fashionable practice, and marvellous are the stories he has to tell of the by-play of love that takes place sometimes in his glass studio. For you see, when, in order to “focus” a young couple before him, he throws the curtain of the camera over his head, Jenny and Jemmy Jessamy are apt, in the sweet ignorance of love, to fancy that the operator can’t see a bit what is going on; so Jenny arranges Jemmy’s hair, and gives the moustache a twist, and there is a sly kiss, and a squeeze, and a pressure of the foot or so, and a variety of harmless endearing blandishments, known to our American cousins (who are great adepts at sweet-hearting) under the generic name of “conoodling,” and all of which are faithfully transmitted through the lens, and neatly displayed in an inverted position on the field of the camera, to the edification of the discreet operator. Oh, you enamoured young men and women, you don’t know that the eyes of domestic Europe are always fixed on you, and that your pretty simperings and whimperings form a drama which becomes the source of infinite amusement and delight to the philosophic bystanders. And is it not much better so, and that our lads and lasses should court in the simple, kindly Anglo-Saxon way, than that we should adopt foreign manners, and marry our wives, as in France, starched and prim from the convent or the boarding-school? Away with your morose, sulky, icy, ceremonious courtships. The Shepherd in Virgil, the moralist said, grew acquainted with Love, and found him a native of the rocks. But he did not dwell