Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
IV.
OLD ESTHER DUDLEY
Our host having resumed the chair, he as well as Mr. Tiffany and myself
expressed much eagerness to be made acquainted with the story to which
the loyalist had alluded. That venerable man first of all saw lit to
moisten his throat with another glass of wine, and then, turning his
face toward our coal-fire, looked steadfastly for a few moments into
the depths of its cheerful glow. Finally he poured forth a great
fluency of speech. The generous liquid that he had imbibed, while it
warmed his age-chilled blood, likewise took off the chill from his
heart and mind, and gave him an energy to think and feel which we could
hardly have expected to find beneath the snows of fourscore winters.
His feelings, indeed, appeared to me more excitable than those of a
younger man—or, at least, the same degree of feeling manifested itself
by more visible effects than if his judgment and will had possessed the
potency of meridian life. At the pathetic passages of his narrative he
readily melted into tears. When a breath of indignation swept across
his spirit, the blood flushed his withered visage even to the roots of
his white hair, and he shook his clinched fist at the trio of peaceful
auditors, seeming to fancy enemies in those who felt very kindly toward
the desolate old soul. But ever and anon, sometimes in the midst of his
most earnest talk, this ancient person’s intellect would wander
vaguely, losing its hold of the matter in hand and groping for it amid
misty shadows. Then would he cackle forth a feeble laugh and express a
doubt whether his wits—for by that phrase it pleased our ancient friend
to signify his mental powers—were not getting a little the worse for
wear.
Under these disadvantages, the old loyalist’s story required more
revision to render it fit for the public eye than those of the series
which have preceded it; nor should it be concealed that the sentiment
and tone of the affair may have undergone some slight—or perchance more
than slight—metamorphosis in its transmission to the reader through the
medium of a thoroughgoing democrat. The tale itself is a mere sketch
with no involution of plot nor any great interest of events, yet
possessing, if I have rehearsed it aright, that pensive influence over
the mind which the shadow of the old Province House flings upon the
loiterer in its court-yard.
Public-domain text, read in full here on John Shaqi.
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