Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
wind rippled the dim ocean into a dreamy brightness which grew faint
afar off without becoming gloomier. I held her hand and pointed to the
long surf-wave as it rolled calmly on the beach in an unbroken line of
silver; we were silent together till its deep and peaceful murmur had
swept by us. When the Sabbath sun shone down into the recesses of the
cliffs, I led the mermaid thither and told her that those huge gray,
shattered rocks, and her native sea that raged for ever like a storm
against them, and her own slender beauty in so stern a scene, were all
combined into a strain of poetry. But on the Sabbath-eve, when her
mother had gone early to bed and her gentle sister had smiled and left
us, as we sat alone by the quiet hearth with household things around,
it was her turn to make me feel that here was a deeper poetry, and that
this was the dearest hour of all. Thus went on our wooing, till I had
shot wild-fowl enough to feather our bridal-bed, and the daughter of
the sea was mine.
I built a cottage for Susan and myself, and made a gateway in the form
of a Gothic arch by setting up a whale’s jaw-bones. We bought a heifer
with her first calf, and had a little garden on the hillside to supply
us with potatoes and green sauce for our fish. Our parlor, small and
neat, was ornamented with our two profiles in one gilt frame, and with
shells and pretty pebbles on the mantelpiece, selected from the sea’s
treasury of such things on Nahant Beach. On the desk, beneath the
looking-glass, lay the Bible, which I had begun to read aloud at the
book of Genesis, and the singing-book that Susan used for her evening
psalm. Except the almanac, we had no other literature. All that I heard
of books was when an Indian history or tale of shipwreck was sold by a
pedler or wandering subscription-man to some one in the village, and
read through its owner’s nose to a slumbrous auditory.
Public-domain text, read in full here on John Shaqi.
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