Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
When we have paced the length of the beach, it is pleasant and not
unprofitable to retrace our steps and recall the whole mood and
occupation of the mind during the former passage. Our tracks, being all
discernible, will guide us with an observing consciousness through
every unconscious wandering of thought and fancy. Here we followed the
surf in its reflux to pick up a shell which the sea seemed loth to
relinquish. Here we found a seaweed with an immense brown leaf, and
trailed it behind us by its long snake-like stalk. Here we seized a
live horseshoe by the tail, and counted the many claws of that queer
monster. Here we dug into the sand for pebbles, and skipped them upon
the surface of the water. Here we wet our feet while examining a
jelly-fish which the waves, having just tossed it up, now sought to
snatch away again. Here we trod along the brink of a fresh-water
brooklet which flows across the beach, becoming shallower and more
shallow, till at last it sinks into the sand and perishes in the effort
to bear its little tribute to the main. Here some vagary appears to
have bewildered us, for our tracks go round and round and are
confusedly intermingled, as if we had found a labyrinth upon the level
beach. And here amid our idle pastime we sat down upon almost the only
stone that breaks the surface of the sand, and were lost in an
unlooked-for and overpowering conception of the majesty and awfulness
of the great deep. Thus by tracking our footprints in the sand we track
our own nature in its wayward course, and steal a glance upon it when
it never dreams of being so observed. Such glances always make us
wiser.
This extensive beach affords room for another pleasant pastime. With
your staff you may write verses—love-verses if they please you best—and
consecrate them with a woman’s name. Here, too, may be inscribed
thoughts, feelings, desires, warm outgushings from the heart’s secret
places, which you would not pour upon the sand without the certainty
that almost ere the sky has looked upon them the sea will wash them
out. Stir not hence till the record be effaced. Now (for there is room
enough on your canvas) draw huge faces—huge as that of the Sphynx on
Egyptian sands—and fit them with bodies of corresponding immensity and
legs which might stride halfway to yonder island. Child’s-play becomes
magnificent on so grand a scale. But, after all, the most fascinating
employment is simply to write your name in the sand. Draw the letters
gigantic, so that two strides may barely measure them, and three for
the long strokes; cut deep, that the record may be permanent. Statesmen
and warriors and poets have spent their strength in no better cause
than this. Is it accomplished? Return, then, in an hour or two, and
seek for this mighty record of a name. The sea will have swept over it,
even as time rolls its effacing waves over the names of statesmen and
warriors and poets. Hark! the surf-wave laughs at you.
Public-domain text, read in full here on John Shaqi.
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