Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
For it seemed as if other voices--familiar in infancy, and
unforgotten through many wanderings, and in all the vicissitudes
of her heart and fortune--were mingling with the accents of the
prayer. At first the words were faint and indistinct, not
rendered so by distance, but rather resembling the dim pages of a
book which we strive to read by an imperfect and gradually
brightening light. In such a manner, as the prayer proceeded, did
those voices strengthen upon the ear; till at length the petition
ended, and the conversation of an aged man, and of a woman broken
and decayed like himself, became distinctly audible to the lady
as she knelt. But those strangers appeared not to stand in the
hollow depth between the three hills. Their voices were
encompassed and reechoed by the walls of a chamber, the windows
of which were rattling in the breeze; the regular vibration of a
clock, the crackling of a fire, and the tinkling of the embers as
they fell among the ashes, rendered the scene almost as vivid as
if painted to the eye. By a melancholy hearth sat these two old
people, the man calmly despondent, the woman querulous and
tearful, and their words were all of sorrow. They spoke of a
daughter, a wanderer they knew not where, bearing dishonor along
with her, and leaving shame and affliction to bring their gray
heads to the grave. They alluded also to other and more recent
woe, but in the midst of their talk their voices seemed to melt
into the sound of the wind sweeping mournfully among the autumn
leaves; and when the lady lifted her eyes, there was she kneeling
in the hollow between three hills.
"A weary and lonesome time yonder old couple have of it,"
remarked the old woman, smiling in the lady's face.
"And did you also hear them?" exclaimed she, a sense of
intolerable humiliation triumphing over her agony and fear.
"Yea; and we have yet more to hear," replied the old woman.
"Wherefore, cover thy face quickly."
Public-domain text, read in full here on John Shaqi.
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