Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
Sir William Howe smiled at words which he would have answered
with one of his darkest frowns had they been uttered by lips that
wore a beard. He was spared the necessity of a retort, by a
singular interruption. A sound of music was heard without the
house, as if proceeding from a full band of military instruments
stationed in the street, playing not such a festal strain as was
suited to the occasion, but a slow funeral march. The drums
appeared to be muffled, and the trumpets poured forth a wailing
breath, which at once hushed the merriment of the auditors,
filling all with wonder, and some with apprehension. The idea
occurred to many that either the funeral procession of some great
personage had halted in front of the Province House, or that a
corpse, in a velvet-covered and gorgeously-decorated coffin, was
about to be borne from the portal. After listening a moment, Sir
William Howe called, in a stern voice, to the leader of the
musicians, who had hitherto enlivened the entertainment with gay
and lightsome melodies. The man was drum-major to one of the
British regiments.
"Dighton," demanded the general, "what means this foolery? Bid
your band silence that dead march--or, by my word, they shall
have sufficient cause for their lugubrious strains! Silence it,
sirrah!"
"Please your honor," answered the drum-major, whose rubicund
visage had lost all its color, "the fault is none of mine. I and
my band are all here together, and I question whether there be a
man of us that could play that march without book. I never heard
it but once before, and that was at the funeral of his late
Majesty, King George the Second."
"Well, well!" said Sir William Howe, recovering his
composure--"it is the prelude to some masquerading antic. Let it
pass."
Public-domain text, read in full here on John Shaqi.
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