When the truth-telling accents of the elderly gentleman were hushed, I drew a long breath and looked round the room, striving, with the best energy of my imagination, to throw a tinge of romance and historic grandeur over the realities of the scene. But my nostrils snuffed up a scent of cigar smoke, clouds of which the narrator had emitted by way of visible emblem, I suppose, of the nebulous obscurity of his tale. Moreover, my gorgeous fantasies were wofully disturbed by the rattling of the spoon in a tumbler of whiskey punch, which Mr. Thomas Waite was mingling for a customer. Nor did it add to the picturesque appearance of the panelled walls that the slate of the Brookline stage was suspended against them, instead of the armorial escutcheon of some far-descended governor. A stage-driver sat at one of the windows, reading a penny paper of the day--the Boston Times--and presenting a figure which could nowise be brought into any picture of "Times in Boston" seventy or a hundred years ago. On the window seat lay a bundle, neatly done up in brown paper, the direction of which I had the idle curiosity to read. "MISS SUSAN HUGGINS, at the PROVINCE HOUSE." A pretty chambermaid, no doubt. In truth, it is desperately hard work, when we attempt to throw the spell of hoar antiquity over localities with which the living world, and the day that is passing over us, have aught to do. Yet, as I glanced at the stately staircase down which the procession of the old governors had descended, and as I emerged through the venerable portal whence their figures had preceded me, it gladdened me to be conscious of a thrill of awe. Then, diving through the narrow archway, a few strides transported me into the densest throng of Washington Street. LEGENDS OF THE PROVINCE HOUSE II EDWARD RANDOLPH'S PORTRAIT