Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
Passing through the narrow arch, I crossed the court-yard, the
confined precincts of which were made visible by a lantern over
the portal of the Province House. On entering the bar-room, I
found, as I expected, the old tradition monger seated by a
special good fire of anthracite, compelling clouds of smoke from
a corpulent cigar. He recognized me with evident pleasure; for my
rare properties as a patient listener invariably make me a
favorite with elderly gentlemen and ladies of narrative
propensities. Drawing a chair to the fire, I desired mine host to
favor us with a glass apiece of whiskey punch, which was speedily
prepared, steaming hot, with a slice of lemon at the bottom, a
dark-red stratum of port wine upon the surface, and a sprinkling
of nutmeg strewn over all. As we touched our glasses together, my
legendary friend made himself known to me as Mr. Bela Tiffany;
and I rejoiced at the oddity of the name, because it gave his
image and character a sort of individuality in my conception. The
old gentleman's draught acted as a solvent upon his memory, so
that it overflowed with tales, traditions, anecdotes of famous
dead people, and traits of ancient manners, some of which were
childish as a nurse's lullaby, while others might have been worth
the notice of the grave historian. Nothing impressed me more than
a story of a black mysterious picture, which used to hang in one
of the chambers of the Province House, directly above the room
where we were now sitting. The following is as correct a version
of the fact as the reader would be likely to obtain from any
other source, although, assuredly, it has a tinge of romance
approaching to the marvellous.
In one of the apartments of the Province House
there was long preserved an ancient picture, the frame of which
was as black as ebony, and the canvas itself so dark with age,
damp, and smoke, that not a touch of the painter's art could be
discerned. Time had thrown an impenetrable veil over it, and left
to tradition and fable and conjecture to say what had once been
there portrayed. During the rule of many successive governors, it
had hung, by prescriptive and undisputed right, over the
mantel-piece of the same chamber; and it still kept its place
when Lieutenant-Governor Hutchinson assumed the administration of
the province, on the departure of Sir Francis Bernard.
Public-domain text, read in full here on John Shaqi.
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