Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
Captain Lincoln proceeded to relate some of the strange fables
and fantasies which, as it was impossible to refute them by
ocular demonstration, had grown to be articles of popular belief,
in reference to this old picture. One of the wildest, and at the
same time the best accredited, accounts, stated it to be an
original and authentic portrait of the Evil One, taken at a witch
meeting near Salem; and that its strong and terrible resemblance
had been confirmed by several of the confessing wizards and
witches, at their trial, in open court. It was likewise affirmed
that a familiar spirit or demon abode behind the blackness of the
picture, and had shown himself, at seasons of public calamity, to
more than one of the royal governors. Shirley, for instance, had
beheld this ominous apparition, on the eve of General
Abercrombie's shameful and bloody defeat under the walls of
Ticonderoga. Many of the servants of the Province House had
caught glimpses of a visage frowning down upon them, at morning
or evening twilight,--or in the depths of night, while raking up
the fire that glimmered on the hearth beneath; although, if any
were bold enough to hold a torch before the picture, it would
appear as black and undistinguishable as ever. The oldest
inhabitant of Boston recollected that his father, in whose days
the portrait had not wholly faded out of sight, had once looked
upon it, but would never suffer himself to be questioned as to
the face which was there represented. In connection with such
stories, it was remarkable that over the top of the frame there
were some ragged remnants of black silk, indicating that a veil
had formerly hung down before the picture, until the duskiness of
time had so effectually concealed it. But, after all, it was the
most singular part of the affair that so many of the pompous
governors of Massachusetts had allowed the obliterated picture to
remain in the state chamber of the Province House.
"Some of these fables are really awful," observed Alice Vane, who
had occasionally shuddered, as well as smiled, while her cousin
spoke. "It would be almost worth while to wipe away the black
surface of the canvas, since the original picture can hardly be
so formidable as those which fancy paints instead of it."
"But would it be possible," inquired her cousin, "to restore this
dark picture to its pristine hues?"
"Such arts are known in Italy," said Alice.
The Lieutenant-Governor had roused himself from his abstracted
mood, and listened with a smile to the conversation of his young
relatives. Yet his voice had something peculiar in its tones when
he undertook the explanation of the mystery.
Public-domain text, read in full here on John Shaqi.
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