Ghosts -- Fiction; Invalids -- Fiction; Women authors -- Fiction
Margaret may have been inadequate as a wife, she had been used to every
consideration and found herself without any. James Capel was beneath her
in everything, in culture and education, refinement. He said openly that
men like himself were not destined for one woman. Their short married
life was tragedy, a crucifixion of her young womanhood. She had, with
all her faults, delicacy, physical reserve, a subtlety of charm and
brilliant intellect. She had given herself to a man who could appreciate
none of these, who was coarse from his thick lips to his language, from
his large spatulate hands to his lascivious small brain. He burned her
with his taunts of how she had pursued him, torn him from other women,
forced her love upon him. There was just enough truth in it to make her
writhe in her desecrated soul and modesties. Of course she thought he
had feared to aspire. Now he made it evident he considered it was she
who had aspired!!! He told her of duchesses who had sought his songs and
his caresses, and gloatingly of unimaginable incidents. He tortured her
beyond endurance.
She left him for the shelter of her father’s home within a few months of
their marriage. There she was nursed back into moral and physical
health, welcomed, comforted, pitied, and she slowly emerged from this
mud bath of matrimony. Her press, theatrical and lettered friends
rallied round her; wealth and foreign travel ameliorated the position.
She wrote again and with greater success than before. Suffering had
deepened her note, she was still without sentiment, but had acquired
something of sympathy.
Years passed. She had almost forgotten the degradation and humiliation
of her marriage, when an escapade of her husband’s, brazenly public,
forced her to take definite steps for legal freedom. She was now
sufficiently famous for the papers to treat the news as a _cause
célèbre_. James Capel unexpectedly defended himself, and fought her with
every weapon malice and an unscrupulous solicitor could forge. Part of
the evidence was heard _in camera_, the rest should have been relegated
to the same obscurity. All the bitterness and misery of those terrible
months were revived. Now it seemed there was nothing for her but
obliteration. She thought it impossible she could ever again come before
the public, for her story to be recalled. She was all unnerved and
shaken, refusing to go out or to see people. She thought she desired
nothing but obscurity.
Yet she had to write.
The book on pottery was a sudden inspiration. It would be something
entirely new and unassociated with her in the public mind. There were
dreadful months to be got through, the waiting months during which, in
law at least, she was still James Capel’s wife, a condition more
intolerable now than it had ever been.
Public-domain text, read in full here on John Shaqi.
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