Ghosts -- Fiction; Invalids -- Fiction; Women authors -- Fiction
Whatever she may have thought about herself it is obvious that in
essentials she was unaltered. Her egotism had re-established itself
under her father and good stepmother’s care, and her amazing
self-consciousness. To her it seemed as if all the world were talking
about her. There was some foundation for her belief, of course. In so
much as she was a public character, she was a favourite of that small
eclectic public. She may have overrated her position, taken as due to
herself alone that which was equally if not more essentially owing to
her father’s wealth and habit of keeping open house. Her letters are
eminently characteristic. Her self is more prominent in them than her
lover. She seems to have bewildered Gabriel Stanton, who knew little or
nothing of women, and carried him off his feet. He may have begun by
pitying her, she appealed to his pity, to his chivalry. As she said
herself, she “exposed herself entirely to him.” Young, rich, beautiful,
famous, she was, nevertheless, at the time she first met Gabriel Stanton
as a bird in flight, shot on the wing and falling; blood-stained,
shrinking, terrified, the stain spreading. Into Gabriel Stanton’s
pitiful powerless hands, set on healing, she fell almost without a
struggle. This at least is her own phrasing, and the way she wished the
matter to appear. As it did appear to him, and perhaps sometimes to
herself. To others of course it might seem she was the fowler, he the
bird!
Certainly after the first visit to Greyfriars’, when she opened the
matter of the ill-fated book on Staffordshire Pottery there were
constant letters, interviews and meetings, conventional and
unconventional. Perhaps it was only her dramatic brain, working for copy
behind its enforced and vowed inactivity, that made her act as she did.
Her letters all read as if they were intended for publication. In her
disingenuous diary and short MS. notes, there were trial titles, without
a date, and forced epigrammatic phrases. “Publisher and Sinner” occurred
once. There is a note that “Between the Nisi and the Absolute” met the
position more accurately.
She told Gabriel Stanton, she must have convinced Peter Kennedy and
herself, that she never knew the danger she ran until it was too late.
But the papers she left disproved the tale.
CHAPTER IX
The early letters have already been transcribed. Also the description of
when and how I first saw Margaret and Gabriel Stanton together, on the
beach when she told him that his coming had been a disappointment.
Public-domain text, read in full here on John Shaqi.
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