Domestic fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Upper class -- Fiction
But Aggie had probably never noticed the colour of the curtains or the
angularity of the furniture. She had certainly never missed the books.
She had accepted the house as it came to her from her parents, who in
turn had taken it over, in all its dreary frivolity, from their father
and mother. It embodied the New York luxury of the 'seventies in every
ponderous detail, from the huge cabbage roses of the Aubusson carpet to
the triple layer of curtains designed to protect the aristocracy of the
brown-stone age from the plebeian intrusion of light and air.
"Funny," Nona thought again--"that all this ugliness should prick me
like nettles, and matter no more to Aggie than if it were in the next
street. She's a saint, I know. But what I want to find is a saint who
hates ugly furniture, and yet lives among it with a smile. What's the
merit, if you never see it?" She addressed herself to a closer
inspection of one of the cabinets, in which Aggie's filial piety had
preserved her mother's velvet and silver spectacle-case, and her
father's ivory opera-glasses, in combination with an alabaster Leaning
Tower and a miniature copy of Carlo Dolci's Magdalen.
Queer dead rubbish--but queerer still that, at that moment and in that
house, Nona's uncanny detachment should permit her to smile at it! Where
indeed--she wondered again--did one's own personality end, and that of
others, of people, landscapes, chairs or spectacle-cases, begin? Ever
since she had received, the night before, Aggie's stiff and agonized
little note, which might have been composed by a child with a
tooth-ache, Nona had been apprehensively asking herself if her
personality didn't even include certain shreds and fibres of Aggie. It
was all such an inextricable tangle...
Here she came. Nona heard the dry click of her steps on the stairs and
across the polished bareness of the hall. She had written: "If you could
make it perfectly convenient to call--" Aggie's nearest approach to a
friendly summons! And as she opened the door, and advanced over the
cabbage roses, Nona saw that her narrow face, with the eyes too close
together, and the large pale pink mouth with straight edges, was
sharpened by a new distress.
"It's very kind of you to come, Nona--" she began in her clear
painstaking voice.
"Oh, nonsense, Aggie! Do drop all that. Of course I know what it's
about."
Aggie turned noticeably paler; but her training as a hostess prevailing
over her emotion, she pushed forward a gilt chair. "Do sit down." She
placed herself in an adjoining sofa corner. Overhead, Aggie's
grandmother, in a voluted gilt frame, held a Brussels lace handkerchief
in her hand, and leaned one ruffled elbow on a velvet table-cover
fringed with knobby tassels.
"You say you know--" Aggie began.
"Of course."
"Stanley--he's told you?"
Nona's nerves were beginning to jump and squirm like a bundle of young
vipers. Was she going to be able to stand much more of these paralyzing
preliminaries?
"Oh, yes: he's told me."
Public-domain text, read in full here on John Shaqi.
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