Domestic fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Upper class -- Fiction
In her bewilderment at this outburst, and at what it revealed, Pauline
continued to sit speechless. "Michelangelo--Klawhammer? I didn't know!
But wouldn't it have been the best solution, perhaps?"
"Solution--of what? Don't you think one member of the family on the
screen's enough at a time? Or would it have looked prettier to see him
and Lita featured together on every hoarding in the country? My God--I
thought I'd done the right thing in acting for you ... there was no
time to consult you ... but if _you_ don't care, why should I? He's none
of _my_ family ... and she isn't either, for that matter."
He had swung round from the hearth, and faced her for the first time,
his brows contracted, the veins swelling on his temples, his hands
grasping his knees as if to constrain himself not to start up in
righteous indignation. He was evidently deeply disturbed, yet his anger,
she felt, was only the unconscious mask of another emotion--an emotion
she could not divine. His vehemence, and the sense of moving in complete
obscurity, had an intimidating effect on her.
"I don't quite understand, Dexter. Amalasuntha was here today. She said
nothing about films, or Klawhammer; but she did say that you'd made it
unnecessary for Michelangelo to come to America."
"Didn't she say how?"
"She said something about--paying his debts."
Manford stood up and went to lean against the mantelpiece. He looked
down on his wife, who in her turn kept her eyes on the embers.
"Well--you didn't suppose I made that offer till I saw we were up
against it, did you?"
His voice rose again angrily, but a cautious glance at his face showed
her that its tormented lines were damp with perspiration. Her immediate
thought was that he must be ill, that she ought to take his
temperature--she always responded by first-aid impulses to any contact
with human distress. But no, after all, it was not that: he was unhappy,
that was it, he was desperately unhappy. But why? Was it because he
feared he had exceeded his rights in pledging her to such an extent, in
acting for her when there was no time to consult her? Apparently the
idea of the discord between Lita and Jim, and Lita's thirst for scenic
notoriety, had shocked him deeply--much more, in reality, than they had
Pauline. If so, his impulse had been a natural one, and eminently in
keeping with those Wyant traditions with which (at suitable moments) she
continued to identify herself. Yes: she began to understand his thinking
it would be odious to her to see the names of her son's wife and this
worthless Italian cousin emblazoned over every Picture Palace in the
land. She felt moved by his regard for her feelings. After all, as he
said, Lita and Michelangelo were no relations of his; he could easily
have washed his hands of the whole affair.
"I'm sure what you've done must be right, Dexter; you know I always
trust your judgment. Only--I wish you'd explain..."
Public-domain text, read in full here on John Shaqi.
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