Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
General
Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
Gunboat swung slowly about and stared at the girl on the other side of
the cherrywood table. He saw a slow flush creep up into the shell-pink
of her cheeks.
“Are yuh married to this mucker?” he demanded, with a thumb-jerk toward
the unobserving Gerald Rhindelander West. And he swallowed hard as he
put the question, just as Teddie used to swallow hard when she beheld
the castor-oil bottle being lifted down out of the medicine cabinet.
“I am not!” was Teddie’s quiet but distinct-noted reply.
“Are yuh goin’ to be?” queried the narrow-eyed Gunboat.
“I am not going to be,” replied Teddie, with an opaque eye on a slightly
crestfallen young attorney.
Gunboat shook his cauliflower ear in a little nod of comprehension. Then
he turned back to the girl.
“All right, then. I’m takin’ care of yuh. Remember that. We’ll cut out
the hot-air artists and get busy. And that brings us round to this
newspaper boob. He’s got the whole story of what’s been happenin’ here,
and he’s talkin’ big about puttin’ it into print. I heard him wit’ my
own——”
“He won’t put it into print,” interrupted Gerry.
“What’ll stop him?” demanded the man of battle.
“The knowledge of what we’d both do to him if he tried it,” announced
the expounder of law, doing his best to overlook Gunboat’s oblique
glance of contempt. “And the further knowledge that he never even
intended to put it into print.”
“No, putting things into print doesn’t seem to be my business any more,”
interpolated the morose-eyed Lipsett.
“Then why——” began Gunboat, but he was interrupted by the trill of the
telephone bell. It was Teddie who finally crossed to the instrument and
answered the call.
“It’s for you, Mr. Dorgan,” she said, without emotion, as she waited
with the receiver in her hand.
“Oh, is that yuh, Ruby,” Gunboat was murmuring a moment later, into the
transmitter. He spoke in a strangely altered tone, a tone with even a
touch of meekness in it. “All right, Ruby,” he docilely agreed after
several minutes of an obviously one-sided conversation. “Sure, Ruby,
yuh’re dead right.” Then came the receiver’s turn again, with an
amending “Whatever yuh say, Ruby,” gently intoned into the transmitter.
If Teddie garnered any inkling of that capitulating meekness on Gunboat
Dorgan’s part, she gave out no echo of it in her own icy stare of
disapproval as she stood regarding Gerald Rhindelander West. Even the
rueful Louis Lipsett awakened to that oddly sustained duel of glances
between the two silent figures on the far side of the room. He awakened,
in fact, to the all-pervading, three-cornered preoccupation which
surrounded him. And he made hay while the sun shone. He took advantage
of that momentary inattention and slipped from his chair. He tiptoed
discreetly out of the room and hurried away into the comparative
quietness of Fourth Street, where he caught a Broadway surface-car and
headed for the peace of Park Row.
Public-domain text, read in full here on John Shaqi.
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