Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
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Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
“Would you mind if I tried a water-color of one end of your garden?”
Conkling repeated, parading the folded stool and easel and thumb box,
which had obviously escaped her attention.
The rose shears went on with their clipping. She was weighing his
request, and as she did so she reverted oddly back to the child type. He
found it hard to think of her as a woman. She seemed disturbed by the
matter-of-factness with which he had put a matter-of-fact question. But
it was plain that he was an outlander, a stranger unversed in the
traditions of those reticent byways.
“If you wish to,” she finally said, without stopping in her work.
It struck Conkling as odd that her face should go pale over a decision
so trivial. It struck him as equally odd, when he unfolded stool and
easel in the shadow of the cedar hedge, that the thin face should just
as suddenly flush again. For he had sagaciously made note of the
direction in which the girl was working her way along this hedge, and he
chose his position so that her activities, as time went on, would not
take her farther away from him. Yet he opened up his thumb box and fell
to work without further addressing her, only too conscious of the
uninterrupted clicking of the shears behind him. If he sniffed an aroma
of the idyllic in that situation he betrayed no signs of it. She had
not, at any rate, taken to her heels; and he could afford to leave the
outcome on the lap of time.
He turned, with a less impersonal eye, and studied the house. He was
impressed by the pathos of its faded grandeur. It might at one time,
built as it was in imitation of an English manor, have been a
pretentious enough pile. But everything about it had long since fallen
into decay. The neglected cornices drooped without paint. The mortar had
fallen away from between the bricks. The dilapidated verandas, half
covered with masses of Virginia creeper, showed a roof sadly broken and
a railing much awry. Here and there, in the tall French windows, a pane
of glass had been replaced by an unpainted board. A broken stretch of
eave troughing hung from an upper façade like an unkempt tress from a
faded brow. On the parched slope to the right of its main entrance
wandered a flock of hungry ducks, and under the maples, beyond the
ducks, hobbled a solitary and disheveled peacock, which screamed from
time to time at the advent of a stranger within its domains. On the
nearer side of the house, beyond parterres of weeds and brambles which
might at one time have been a rose garden, stood a tilted chicken
brooder which had once been painted red, and the ruins of a cider press,
with a row of overturned beehives in the background.
Public-domain text, read in full here on John Shaqi.
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