“Only, I am surprised that you should. . . . An English trading skipper,
a common fellow. Low, cheeky lot, infesting these islands. I would make
short work of such trash! While you have here a good friend, a gentleman
ready to worship at your feet—your pretty feet—an officer, a man of
family. Strange, isn’t it? But what of that! You are fit for a
prince.”
Freya did not turn her head. Her face went stiff with horror and
indignation. This adventure was altogether beyond her conception of what
was possible. It was not in her character to jump up and run away. It
seemed to her, too, that if she did move there was no saying what might
happen. Presently her father would be back, and then the other would
have to leave off. It was best to ignore—to ignore. She went on playing
loudly and correctly, as though she were alone, as if Heemskirk did not
exist. That proceeding irritated him.
“Come! You may deceive your father,” he bawled angrily, “but I am not to
be made a fool of! Stop this infernal noise . . . Freya . . . Hey! You
Scandinavian Goddess of Love! Stop! Do you hear? That’s what you
are—of love. But the heathen gods are only devils in disguise, and
that’s what you are, too—a deep little devil. Stop it, I say, or I will
lift you off that stool!”
Standing behind her, he devoured her with his eyes, from the golden crown
of her rigidly motionless head to the heels of her shoes, the line of her
shapely shoulders, the curves of her fine figure swaying a little before
the keyboard. She had on a light dress; the sleeves stopped short at the
elbows in an edging of lace. A satin ribbon encircled her waist. In an
access of irresistible, reckless hopefulness he clapped both his hands on
that waist—and then the irritating music stopped at last. But, quick as
she was in springing away from the contact (the round music-stool going
over with a crash), Heemskirk’s lips, aiming at her neck, landed a
hungry, smacking kiss just under her ear. A deep silence reigned for a
time. And then he laughed rather feebly.
He was disconcerted somewhat by her white, still face, the big light
violet eyes resting on him stonily. She had not uttered a sound. She
faced him, steadying herself on the corner of the piano with one extended
hand. The other went on rubbing with mechanical persistency the place
his lips had touched.
“What’s the trouble?” he said, offended. “Startled you? Look here:
don’t let us have any of that nonsense. You don’t mean to say a kiss
frightens you so much as all that. . . . I know better. . . . I don’t
mean to be left out in the cold.”
He had been gazing into her face with such strained intentness that he
could no longer see it distinctly. Everything round him was rather
misty. He forgot the overturned stool, caught his foot against it, and
lurched forward slightly, saying in an ingratiating tone:
“I’m not bad fun, really. You try a few kisses to begin with—”
Public-domain text, read in full here on John Shaqi.
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