As the first and most important preparation for that event the old fellow
ordered from his Singapore agent a Steyn and Ebhart’s “upright grand.” I
was then commanding a little steamer in the island trade, and it fell to
my lot to take it out to him, so I know something of Freya’s “upright
grand.” We landed the enormous packing-case with difficulty on a flat
piece of rock amongst some bushes, nearly knocking the bottom out of one
of my boats in the course of that nautical operation. Then, all my crew
assisting, engineers and firemen included, by the exercise of much
anxious ingenuity, and by means of rollers, levers, tackles, and inclined
planes of soaped planks, toiling in the sun like ancient Egyptians at the
building of a pyramid, we got it as far as the house and up on to the
edge of the west verandah—which was the actual drawing-room of the
bungalow. There, the case being ripped off cautiously, the beautiful
rosewood monster stood revealed at last. In reverent excitement we
coaxed it against the wall and drew the first free breath of the day. It
was certainly the heaviest movable object on that islet since the
creation of the world. The volume of sound it gave out in that bungalow
(which acted as a sounding-board) was really astonishing. It thundered
sweetly right over the sea. Jasper Allen told me that early of a morning
on the deck of the _Bonito_ (his wonderfully fast and pretty brig) he
could hear Freya playing her scales quite distinctly. But the fellow
always anchored foolishly close to the point, as I told him more than
once. Of course, these seas are almost uniformly serene, and the Seven
Isles is a particularly calm and cloudless spot as a rule. But still,
now and again, an afternoon thunderstorm over Banka, or even one of these
vicious thick squalls, from the distant Sumatra coast, would make a
sudden sally upon the group, enveloping it for a couple of hours in
whirlwinds and bluish-black murk of a particularly sinister aspect.
Then, with the lowered rattan-screens rattling desperately in the wind
and the bungalow shaking all over, Freya would sit down to the piano and
play fierce Wagner music in the flicker of blinding flashes, with
thunderbolts falling all round, enough to make your hair stand on end;
and Jasper would remain stock still on the verandah, adoring the back
view of her supple, swaying figure, the miraculous sheen of her fair
head, the rapid hands on the keys, the white nape of her neck—while the
brig, down at the point there, surged at her cables within a hundred
yards of nasty, shiny, black rock-heads. Ugh!
Public-domain text, read in full here on John Shaqi.
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