But Jasper was elevated in the true sense of the word ever since the day
when, after they had been gazing at the brig in one of those decisive
silences that alone establish a perfect communion between creatures
gifted with speech, he proposed that she should share the ownership of
that treasure with him. Indeed, he presented the brig to her altogether.
But then his heart was in the brig since the day he bought her in Manilla
from a certain middle-aged Peruvian, in a sober suit of black broadcloth,
enigmatic and sententious, who, for all I know, might have stolen her on
the South American coast, whence he said he had come over to the
Philippines “for family reasons.” This “for family reasons” was
distinctly good. No true _caballero_ would care to push on inquiries
after such a statement.
Indeed, Jasper was quite the _caballero_. The brig herself was then all
black and enigmatical, and very dirty; a tarnished gem of the sea, or,
rather, a neglected work of art. For he must have been an artist, the
obscure builder who had put her body together on lovely lines out of the
hardest tropical timber fastened with the purest copper. Goodness only
knows in what part of the world she was built. Jasper himself had not
been able to ascertain much of her history from his sententious,
saturnine Peruvian—if the fellow was a Peruvian, and not the devil
himself in disguise, as Jasper jocularly pretended to believe. My
opinion is that she was old enough to have been one of the last pirates,
a slaver perhaps, or else an opium clipper of the early days, if not an
opium smuggler.
However that may be, she was as sound as on the day she first took the
water, sailed like a witch, steered like a little boat, and, like some
fair women of adventurous life famous in history, seemed to have the
secret of perpetual youth; so that there was nothing unnatural in Jasper
Allen treating her like a lover. And that treatment restored the lustre
of her beauty. He clothed her in many coats of the very best white paint
so skilfully, carefully, artistically put on and kept clean by his
badgered crew of picked Malays, that no costly enamel such as jewellers
use for their work could have looked better and felt smoother to the
touch. A narrow gilt moulding defined her elegant sheer as she sat on
the water, eclipsing easily the professional good looks of any pleasure
yacht that ever came to the East in those days. For myself, I must say I
prefer a moulding of deep crimson colour on a white hull. It gives a
stronger relief besides being less expensive; and I told Jasper so. But
no, nothing less than the best gold-leaf would do, because no decoration
could be gorgeous enough for the future abode of his Freya.
Public-domain text, read in full here on John Shaqi.
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