"And you will forgive me my treachery to yourself?"
"My dear Keith," she says, with a little quivering smile. "I knew
you were making a cat's-paw of me, but somehow I didn't mind that so
much, if it would have been any real good to you. In time, I thought
perhaps you might have got fond of me. Lots of men are, you know;
but I began to see that it wouldn't do--that you couldn't take to me,
and no wonder, when I was so different to--her. But as for
forgiving, that's no big thing to do. And I never bear malice;
'tisn't in me. Yes, you go right straight away out of the country,
and I'll make all this look natural enough, don't you fear. You're
not the first young man I've knocked off by many. I'm a born flirt,
they say. Well, I'm only acting up to my character."
Behind the bright eyes is a weight of tears she longs to shed, and
will not. The brave little heart is throbbing and aching with pain.
But Keith sees nothing, suspects nothing. He is only relieved she
takes it so well, that after all she does not seem to care so very
much.
He rises and holds out his hands. "You are far too good to me, Nan,"
he says brokenly. "I feel ashamed when I think of my conduct. God
bless you, child, and make you happy."
"Too good to you," echoes Nan softly. "I don't know. It strikes me,
Keith, that you are just the sort of fellow women would be 'good to.'
I surmise they can't help it. It's just your way with them, you
know. So it's really 'Good-bye.' Take my advice and go to the
Rockies and shoot grizzlies. That'll cure you if anything will."
Not by any means a romantic parting, or a touching one; but it is a
very faithful heart that masks its pain so bravely, and a very loving
one too.
A week later, and town is eagerly discussing two startling pieces of
news. One is that Keith Athelstone, the rich young American, has
sailed for Timbuctoo or Tahiti, or New Zealand, people are not quite
sure which; the other that Joel Salomans, the great millionaire, has
come to smash over some gigantic speculation, and has blown his
brains out in his hotel in Paris.
In the deepest of mourning, with her handsome brows drawn into an
angry frown, with a pile of letters and papers on the table before
her, sits Lady Jean. "It is ruin, simply ruin!" she mutters
fiercely, as she pushes the pile impatiently aside and looks at the
long column of figures before her.
Ruin to her means some five hundred a year, secured to herself, and a
country house bought and settled on her by Mr. Salomans a year
before. She is at present in Paris. It is a week since her
husband's death, and the scandal and _esclandre_ are flying
everywhere, and adorning special articles in all the society journals.
Public-domain text, read in full here on John Shaqi.
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