Two Sides of the Face: Midwinter TalesQuiller-Couch, Arthur
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Two Sides of the Face: Midwinter Tales
Quiller-Couch, Arthur
Fiction; Short stories, English
Within stood his mistress, confronting another policeman!
Her hands rested on the back of a library-chair: and though she stood up
bravely and held herself erect with her finger-tips pressed hard into the
leather, I saw that she was swaying on the verge of hysterics, and I had
the sense to speak sharply.
"What's the meaning of this?" I demanded.
"This one--comes from Marlborough Street!" she gasped.
I stepped back to the door, opened it, and, as I expected, discovered
Horrex listening.
"A bottle of champagne and a glass at once," I commanded, and he sped.
"And now, Miss Joy, if you please, the constable and I will do the
talking. What's your business?"
"Prisoner wants bail," answered the policeman.
"Name?"
"George Anthony Richardson."
"Yes, yes--but I mean the prisoner's name."
"That's what I'm telling you. 'George Anthony Richardson,
four-nought-two, Cromwell Road'--that's the name on the sheet,
and I heard him give it myself."
"And I thought, of course, it must be you," put in Clara; "and I wondered
what dreadful thing could have happened--until Horrex appeared and told me
you were safe, and Herbert too--"
"I think," said I, going to the door again and taking the tray from
Horrex, "that you were not to talk. Drink this, please."
She took the glass, but with a rebellious face. "Oh, if you take that
tone with me--"
"I do. And now," I turned to the constable, "what name did he give for
his surety?"
"Herbert Jarmayne, same address."
"Herbert Jarmayne?" I glanced at Clara, who nodded back, pausing as she
lifted her glass! "Ah! yes--yes, of course. How much?"
"Two tenners."
"Deep answering deep. Drunk and disorderly, I suppose?"
"Blind. He was breaking glasses at Toscano's and swearing he was Sir
Charles Wyndham in _David Garrick_: but he settled down quiet at the
station, and when I left he was talking religious and saying he pitied
nine-tenths of the world, for they were going to get it hot."
"Trewlove!" I almost shouted, wheeling round upon Clara.
"I beg your pardon?"
"No, of course--you wouldn't understand. But all the same it's Trewlove,"
I cried, radiant. "Eh?"--this to Horrex, mumbling in the doorway--"the
cab outside? Step along, constable: I'll follow in a moment--to identify
your prisoner, not to bail him out." Then as he touched his hat and
marched out after Horrex, "By George, though! Trewlove!" I muttered,
meeting Clara's eye and laughing.
"So you've said," she agreed doubtfully; "but it seems a funny sort of
explanation."
"It's as simple as A B C," I assured her. "The man at Marlborough Street
is the man who let you this house."
"I took it through an agent."
"I'm delighted to hear it. Then the man at Marlborough Street is the man
for whom the agent let the house."
"Then you are not Mr. Richardson--not 'George Anthony'--and you didn't
write _Larks in Aspic?_" said she, with a flattering shade of
disappointment in her tone.
"Oh! yes, I did."
Public-domain text, read in full here on John Shaqi.
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