It was interesting enough to "develop" the peculiar turn of Marie's genius, by writing for her plays about liberty, just as he would have written plays about jealousy, or anything else for representing which she had "capabilities." But to be called on to act in that Slavery question, the one in which he knew (as all sensible Americans do) that the life and death of his country depended, and which for that very reason he had carefully ignored till a more convenient season, finding in its very difficulty and danger an excuse for leaving it to solve itself:--to have this thrust on him, and by her, as the price of the thing which he must have, or die! If she had asked for his right hand, he would have given it sooner; and he entered the Royal Academy that day in much the same humour as that of a fine lady who should find herself suddenly dragged from the ball-room into the dust-hole, in her tenderest array of gauze and jewels, and there peremptorily compelled to sift the cinders, under the superintendence of the sweep and the pot-boy. Glad to escape from questions which he had rather not answer too soon, he went in search of Claude, and found him before one of those pre-Raphaelite pictures, which Claude does not appreciate as he ought. "Desinit in Culicem mulier formosa supernè," said Stangrave, as he looked over Claude's shoulder; "but I suppose he followed nature, and copied his model." "That he didn't," said Claude, "for I know who his model was: but if he did he had no business to do so. I object on principle to these men's notion of what copying nature means. I don't deny him talent. I am ready to confess that there is more imagination and more honest work in that picture than in any one in the room. The hysterical, all but grinning joy upon the mother's face is a miracle of truth; I have seen the expression more than once; doctors see it often, in the sudden revulsion from terror and agony to certainty and peace; I only marvel where he ever met it: but the general effect is unpleasing, marred by patches of sheer ugliness, like that child's foot. There is the same mistake in all his pictures. Whatever they are, they are not beautiful; and no magnificence of surface-colouring will make up, in my eyes, for wilful ugliness of form. I say that nature is beautiful; and therefore nature cannot have been truly copied, or the general effect would have been beautiful also. I never found out the fallacy till the other day, when looking at a portrait by one of them. The woman for whom it was meant was standing by my side, young and lovely; the portrait hung there neither young nor lovely, but a wrinkled caricature twenty years older than the model." "I surely know the portrait you mean; Lady D----'s." "Yes. He had simply, under pretence of following nature, caricatured her into a woman twenty years older than she is."