Tom and Elsley are safe at Whitbury at last; and Tom, ere he has seen
his father, has packed Elsley safe away in lodgings with an old dame
whom he can trust. Then he asks his way to his father's new abode; a
small old-fashioned house, with low bay windows jutting out upon the
narrow pavement.
Tom stops, and looks in the window. His father is sitting close to it,
in his arm-chair, his hands upon his knees, his face lifted to the
sunlight, with chin slightly outstretched, and his pale eyes feeling for
the light. The expression would have been painful, but for its perfect
sweetness and resignation. His countenance is not, perhaps, a strong
one; but its delicacy, and calm, and the high forehead, and the long
white locks, are most venerable. With a blind man's exquisite sense, he
feels Tom's shadow fall on him, and starts, and calls him by name; for
he has been expecting him, and thinking of nothing else all the morning,
and takes for granted that it must be he.
In another moment Tom is at his father's side. What need to describe the
sacred joy of those first few minutes, even if it were possible? But
unrestrained tenderness between man and man, rare as it is, and, as it
were, unaccustomed to itself, has no passionate fluency, no metaphor or
poetry, such as man pours out to woman, and woman again to man. All its
language lies in the tones, the looks, the little half-concealed
gestures, hints which pass themselves off modestly in jest; and such was
Tom's first interview with his father; till the old Isaac, having felt
Tom's head and hands again and again, to be sure whether it were his
very son or no, made him sit down by him, holding him still fast, and
began--
"Now, tell me, tell me, while Jane gets you something to eat. No, Jane,
you mustn't talk to Master Tom yet, to bother about how much he's
grown;--nonsense, I must have him all to myself, Jane. Go and get him
some dinner. Now, Tom," as if he was afraid of losing a moment; "you
have been a dear boy to write to me every week; but there are so many
questions which only word of mouth will answer, and I have stored up
dozens of them! I want to know what a coral reef really looks like, and
if you saw any trepangs upon them? And what sort of strata is the gold
really in? And you saw one of those giant rays; I want a whole hour's
talk about the fellow. And--What an old babbler I am! talking to you
when you should be talking to me. Now begin. Let us have the trepangs
first. Are they real Holothurians or not?"
And Tom began, and told for a full half-hour, interrupted then by some
little comment of the old man's, which proved how prodigious was the
memory within, imprisoned and forced to feed upon itself.
"You seem to know more about Australia than I do, father," said Tom at
last.
Public-domain text, read in full here on John Shaqi.
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