The ladies then proceeded to the island in the Empress Dowager's pleasure boat known as the Imperial barge, previously described, and visited the temple. This temple is built on top of a small rock, in the center of which is a natural cave, and it was generally supposed that no human being had ever been inside of this cave. The Empress Dowager believed the popular superstition that this hole was the home of the King of Dragons--from which the temple derives its name. CHAPTER THIRTEEN--THE EMPRESS'S PORTRAIT AFTER staying a little while at the temple, we returned to the Palace, and the ladies said goodbye and took chairs to the Palace gate, where their own chairs were waiting for them. I then went to report to Her Majesty in the usual way what had been said by the visitors; whether they had expressed themselves as being pleased with the reception they had received. Her Majesty said: "I like Mrs. Evans. I think she is a very good woman. It seems to me that her manners are quite different from those of the other American ladies whom I have met. I like to meet people who are polite." Then, referring to the subject of the portrait Her Majesty said: "I wonder why Mrs. Conger has this idea. Now please explain to me what painting a portrait really is." When I explained that it would be necessary for her to sit for several hours each day she was excited, and afraid she would never have the patience to see it through. She asked me what she must do during the sitting, so I explained that she would simply have to pose for the portrait, sitting in one position all the time She said: "I shall be an old woman by the time the portrait is finished." I told her that I had had my own portrait painted during my stay in Paris, by the same artist Mrs. Conger had proposed should paint her own portrait (Miss Carl). She immediately told me to fetch the portrait of myself so that she could examine it and see what it was like, so I gave the order right away to a eunuch who was standing by to go to my house and bring it. Her Majesty said: "I do not understand why I must sit for the portrait Couldn't someone else do it for me." I explained to her that as it was her own portrait, and not that of somebody else, they wished to paint, it would be necessary for her to sit herself. She then enquired whether it would be necessary for her to wear the same dress at each sitting, also the same jewels and ornaments. I replied that it would be necessary to do so on each occasion. Her Majesty then explained that in China it was only necessary for an artist to see his subject once, after which he could start right away and finish the portrait in a very short time, and thought that a really first-class foreign artist should be able to do the same. Of course I explained the difference between foreign portrait painting and Chinese, and told her that when she had seen it she would see the difference and understand the reason for so many sittings. She said: "I wonder what