When the substance is in a proper state for the next process, it betrays evidences of incipient decomposition; the fibres are relaxed and softened, and rendered perfectly malleable. The different strips are now extended, one by one, in successive layers, upon some smooth surface—generally the prostrate trunk of a cocoa-nut tree—and the heap thus formed is subjected, at every new increase, to a moderate beating, with a sort of wooden mallet, leisurely applied. The mallet is made of a hard heavy wood resembling ebony, is about twelve inches in length, and perhaps two in breadth, with a rounded handle at one end, and in shape is the exact counterpart of one of our four-sided razor-strops. The flat surfaces of the implement are marked with shallow parallel indentations, varying in depth on the different sides, so as to be adapted to the several stages of the operation. These marks produce the corduroy sort of stripes descernible in the tappa in its finished state. After being beaten in the manner I have described, the material soon becomes blended in one mass, which, moistened occasionally with water, is at intervals hammered out, by a kind of gold-beating process, to any degree of thinness required. In this way the cloth is easily made to vary in strength and thickness, so as to suit the numerous purposes to which it is applied. When the operation last described has been concluded, the new-made tappa is spread out on the grass to bleach and dry, and soon becomes of a dazzling whiteness. Sometimes, in the first stages of the manufacture, the substance is impregnated with a vegetable juice, which gives it a permanent colour. A rich brown and a bright yellow are occasionally seen, but the simple taste of the Typee people inclines them to prefer the natural tint. The notable wife of Kammahammaha, the renowned conqueror and king of the Sandwich Islands, used to pride herself in the skill she displayed in dyeing her tappa with contrasting colours disposed in regular figures; and, in the midst of the innovations of the times, was regarded, towards the decline of her life, as a lady of the old school, clinging as she did to the national cloth, in preference to the frippery of the European calicoes. But the art of printing the tappa is unknown upon the Marquesan Islands. In passing along the valley, I was often attracted by the noise of the mallet, which, when employed in the manufacture of the cloth, produces at every stroke of its hard, heavy wood, a clear, ringing, and musical sound, capable of being heard at a great distance. When several of these implements happen to be in operation at the same time, and near one another, the effect upon the ear of a person, at a little distance, is really charming. CHAPTER XIX History of a day as usually spent in the Typee valley—Dances of the Marquesan girls.