Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
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Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
"Oh, yes, I remember now; I remember to have read--I do not recollect
the name of the book--that such an aerial voyage from the earth to this
planet or _vice versa_ is possible. Oh, please, stay here with us; we
shall be very glad to have you remain with us."
"Thank you, sir; yes, I'll stay here. Especially if you will explain
to me this wonderful device by means of which I can understand your
language and you mine. Now on Earth we have to go to the labor of
memorizing a whole dictionary if we wish to converse with a fellow
mortal of another nationality."
"Oh, yes; that's very bad. A great loss of time and energy. A long
while ago, after we had perfected mechanical talking machines, somebody
realized that we were wasting a great amount of time conversing with
machinery when we couldn't understand our fellow men. So he set
himself to thinking and he soon saw that the difference in languages
is not a difference in ideas, but in sounds. So if he could just
filter the sound waves as they entered the cranium, he could trust
to consciousness to do the rest; for it always responds to phenomena
after its own nature, not after the nature of the phenomena that it
takes up--as the philosophers had long before proved. But I must stop
talking. I want to hear about the Earth. I dare say your planet is much
wiser than ours. Ours is very foolish in many ways, as you will see
before long." And the farmer got up to order one of his servants to
prepare a room for Busyong.
The family of the old man, consisting of a wife and a grown-up son and
a young daughter, then spent most of the day in eagerly questioning
Busyong about the earth and its inhabitants. Night came on and the
farmer remained alone conversing with Busyong beside a window until
very late. They were beginning to feel sleepy when a confused noise of
stringed instruments was heard from a neighboring house. Busyong soon
lost his drowsiness.
"What is that music for? What does it mean at such at an hour as this?
'Tis one o'clock," Busyong said.
"These people are courting a lady, and their cackling is intended to
win the love of the maiden--nay, I should say to annoy and disturb the
neighbors from their rest; for that's really what they do," replied
the old man with indignation. "This custom," he added, "although not
widespread in this country, is yet after all very troublesome and
indeed very ridiculous also."
"Now, I wonder if these people know the woman for whom they are
offering their sacrifices."
"That is another folly about them. That is often the case; these people
work hard making a loud noise with their wooden rattles in order to
attain their purpose, but they don't have the slightest idea of the
real character of the woman for whom they die deliriously; nay, they
don't know even how she looks; whether she is ugly and haggard or
whether she is like Venus, charming with beauty."
Public-domain text, read in full here on John Shaqi.
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