Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
General
Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
"Finally the little village became hateful to me. I could endure it
no longer, and I shook its dust from my feet. With reluctance I moved
away into the heart of the great city, but with the same longing in my
heart--the same despair. I hunted up my two faithful black servants
who had lived with us for several years. I bought a house in the old
part of the city, and there we now live, and I am well cared for by
them. Let me read you portions of a letter from her--one of the last
she wrote," and he took from his pocket a little morocco book with
monogram in silver script letters. He rose and asked the driver to
stop, and, turning the light up, said: "This will give you some idea
of the sweet life, with its love of nature, that went on in and about
that little cottage. The letter was written to me when I was in another
city." He read as follows:
"My dear, I can hardly tell you how lovely the shadows looked as I
strolled around our little house this evening, and was filled with
delight by their beautiful but evasive forms. To begin with, you
remember the exquisite, almost silhouette, shadow of the rose-of-Sharon
bush by the front door. I gave it a long study to-night. Its fine,
decorative character reminded me of a Japanese drawing, only it is far
more delicate and subtle. If this could be painted in soft gray on the
door-posts and around the little side windows, how it would beautify
our plain dwelling, and what a permanent reminder it would be of our
delightful summer days!
"But if I spend too much time on a single shadow, I shall have no room
left to tell you of the greater ones we have enjoyed together.... From
the path near the gate, and looking toward the house, I saw to-night,
and seemed to feel for the first time, the wonderful tenderness of the
great shadow which nearly covers the end and side of our home. How
mysterious our kitchen became, with its shed completely inclosed in
velvety gloom, suggesting both sorrow and tragedy; while the other end
of the house was covered with fantastic forms, soft and ethereal, and
with a delicacy indescribable.... But when the moon came up, and the
soft shadows of the pines were cast on the pure white weather-boards
of our little home,--the shadows of our own pines, the pines we love
so well, and through whose branches we have heard music sweet and
low, soft and sad,--then I thought of you as I studied their masses
tossing so gently, their movement almost imperceptible, and I longed
for you as I studied their moving forms, their richness, variety, and
texture--for you tell me of their artistic beauty--your delicate,
poetic appreciation of their loveliness.... And at last, may the sun
and moon shine brightly and cast beautiful shadows among and over the
tombstones for you and for me, my dear, and may a blessed hope make the
sunset of life glorious for us both."
Public-domain text, read in full here on John Shaqi.
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